1 00:00:02,667 --> 00:00:03,667 PREVIOUSLY ON LOVE and HIP-HOP 2 00:00:03,667 --> 00:00:04,400 ATLANTA... 3 00:00:04,400 --> 00:00:05,667 THIS IS FOR YOU. 4 00:00:05,667 --> 00:00:07,633 YOU WANT TO MOVE US WAY OUT 5 00:00:07,633 --> 00:00:10,067 HERE WHILE YOU'RE DOING YOU 6 00:00:10,067 --> 00:00:11,267 IN THE CITY? 7 00:00:11,267 --> 00:00:12,033 YOU GOT ME WORKING HARD, 8 00:00:12,033 --> 00:00:12,700 BABY. 9 00:00:12,700 --> 00:00:13,700 YOU'RE LOOKING AMAZING. 10 00:00:13,700 --> 00:00:15,200 WITH JOSELINE, FOR SURE I GOT 11 00:00:15,200 --> 00:00:15,867 A WINNER. 12 00:00:15,867 --> 00:00:17,967 WITH HER BEAUTY, HER SWAG, 13 00:00:17,967 --> 00:00:19,500 MY COACHING, SHE'S BOUND TO GO 14 00:00:19,500 --> 00:00:20,933 TO THE TOP. 15 00:00:20,933 --> 00:00:24,067 WE'VE BEEN THROUGH SO MUCH-- 16 00:00:24,067 --> 00:00:25,500 THE CHEATING, AND JUST FROM 17 00:00:25,500 --> 00:00:27,267 A WOMAN'S PERCEPTIVE, LIKE, 18 00:00:27,267 --> 00:00:29,467 IT'S HARD TO TRUST AND BELIEVE 19 00:00:29,467 --> 00:00:30,433 YOUR EVERY WORD, 20 00:00:30,433 --> 00:00:31,533 YOUR EVERY MOVE. 21 00:00:31,533 --> 00:00:33,200 I NEED THAT HIT. 22 00:00:33,200 --> 00:00:34,433 SO YOUR SOUND IS LIKE--YOU'RE 23 00:00:34,433 --> 00:00:35,733 GOING FOR THE TRINI SOUND? 24 00:00:35,733 --> 00:00:38,500 [rapping in Creole] 25 00:00:38,500 --> 00:00:39,167 MM. 26 00:00:39,167 --> 00:00:40,233 OH, SHE'S HOT. 27 00:00:40,233 --> 00:00:42,400 JOSELINE IS A REAL CHICK. 28 00:00:42,400 --> 00:00:43,967 HER MAN IS STEVIE J. 29 00:00:43,967 --> 00:00:44,633 I'M SORRY. 30 00:00:44,633 --> 00:00:46,500 NO, IT'S NOT. 31 00:00:46,500 --> 00:00:47,333 THAT WOULD BE MY MAN. 32 00:00:47,333 --> 00:00:48,333 WHERE DOES STEVIE FIND 33 00:00:48,333 --> 00:00:49,567 THESE TRASH BAGS? 34 00:00:49,567 --> 00:00:50,367 MIMI. 35 00:00:50,367 --> 00:00:52,233 ONCE AGAIN, STEVIE'S GOT ME 36 00:00:52,233 --> 00:00:53,533 ALL [bleep] UP. 37 00:00:53,533 --> 00:00:55,000 WORK? FOR REAL? 38 00:00:55,000 --> 00:00:55,833 I'M--I'M LOOKING FOR YOU. 39 00:00:55,833 --> 00:00:56,867 ARE YOU [bleep] SERIOUS 40 00:00:56,867 --> 00:00:58,000 RIGHT NOW? 41 00:00:58,000 --> 00:00:58,700 WAIT A MINUTE. 42 00:00:58,700 --> 00:01:00,067 IF YOU WALK THE [bleep] OUT 43 00:01:00,067 --> 00:01:01,633 OF HERE AND GET IN THAT CAR WITH 44 00:01:01,633 --> 00:01:02,800 THAT BITCH, YOU'RE SHOWING ME 45 00:01:02,800 --> 00:01:04,800 WHAT THE [bleep] YOU'RE DOING. 46 00:01:09,967 --> 00:01:11,233 * THIS IS THE LIFE 47 00:01:11,233 --> 00:01:21,800 ♪ THIS IS THE LIFE 48 00:01:21,800 --> 00:01:22,467 * HA 49 00:01:22,467 --> 00:01:23,333 ♪ AIN'T NOTHING LIKE ♪ 50 00:01:23,333 --> 00:01:24,500 ♪ HIP-HOP MUSIC 51 00:01:24,500 --> 00:01:25,600 * THIS IS THE LIFE 52 00:01:25,600 --> 00:01:30,967 ♪ THIS IS THE LIFE 53 00:01:34,567 --> 00:01:35,567 [dynamic hip-hop music] 54 00:01:35,567 --> 00:01:39,533 ♪ 55 00:01:39,533 --> 00:01:42,300 HOW YOU FEEL? 56 00:01:42,300 --> 00:01:43,733 LAST NIGHT WAS A WHOLE LOT 57 00:01:43,733 --> 00:01:45,067 TO TAKE IN. 58 00:01:45,067 --> 00:01:47,133 I'M HURT. 59 00:01:47,133 --> 00:01:48,833 I'M PISSED OFF. 60 00:01:48,833 --> 00:01:50,800 I'M EMBARRASSED. 61 00:01:50,800 --> 00:01:53,667 I'M DISGUSTED. 62 00:01:53,667 --> 00:01:54,733 YOU SHOULD BE. 63 00:01:54,733 --> 00:01:55,767 LAST NIGHT AT K. MICHELLE'S 64 00:01:55,767 --> 00:01:57,800 BIRTHDAY PARTY, STEVIE J. SHOWED 65 00:01:57,800 --> 00:01:58,633 HIS ASS. 66 00:01:58,633 --> 00:02:00,233 I WAS EMBARRASSED. 67 00:02:00,233 --> 00:02:01,467 THAT AIN'T EVEN MY [bleep]. 68 00:02:01,467 --> 00:02:02,567 BEING IN THE ROOM WITH THEM 69 00:02:02,567 --> 00:02:04,667 IN THAT ELEMENT, I CLEARLY SEE 70 00:02:04,667 --> 00:02:05,600 THAT IS SOMETHING ELSE. 71 00:02:05,600 --> 00:02:06,500 THAT IT'S OBVIOUS THAT 72 00:02:06,500 --> 00:02:07,233 THEY'RE [bleep]. 73 00:02:07,233 --> 00:02:08,067 CLEARLY. 74 00:02:08,067 --> 00:02:09,567 HE'S KEEPING [bleep] AWAY 75 00:02:09,567 --> 00:02:10,500 FROM YOU. 76 00:02:10,500 --> 00:02:11,200 I... 77 00:02:11,200 --> 00:02:12,133 CLEARLY. 78 00:02:12,133 --> 00:02:13,500 THE THING ABOUT IT, ARIANE, 79 00:02:13,500 --> 00:02:15,400 IS, I'M NOT WITH HIM AROUND HER, 80 00:02:15,400 --> 00:02:17,333 SO I DON'T SEE ALL OF THIS. 81 00:02:17,333 --> 00:02:18,767 BUT THAT WAS--THAT WAS YOUR 82 00:02:18,767 --> 00:02:19,567 SIGHT LAST NIGHT. 83 00:02:19,567 --> 00:02:21,067 ABSOLUTELY. 84 00:02:21,067 --> 00:02:23,667 BECAUSE ALL I GET IS ONE THING. 85 00:02:23,667 --> 00:02:25,600 "I WANT YOU. 86 00:02:25,600 --> 00:02:26,667 I WANT MY FAMILY." 87 00:02:26,667 --> 00:02:29,133 THAT MONOTONOUS BULL[bleep]. 88 00:02:29,133 --> 00:02:30,167 THAT'S ALL I GET. 89 00:02:30,167 --> 00:02:31,467 THAT'S ALL I KNOW. 90 00:02:31,467 --> 00:02:32,767 HIS WORDS AREN'T ENOUGH. 91 00:02:32,767 --> 00:02:34,933 MIMI IS AN AMAZINGLY BEAUTIFUL 92 00:02:34,933 --> 00:02:35,633 WOMAN. 93 00:02:35,633 --> 00:02:36,833 SHE CAN HAVE ANYBODY IN 94 00:02:36,833 --> 00:02:37,733 THIS WORLD, BUT SHE HAS 95 00:02:37,733 --> 00:02:38,433 TO WANT IT. 96 00:02:38,433 --> 00:02:41,433 I DON'T CARE HOW GOOD THAT 97 00:02:41,433 --> 00:02:43,067 [bleep] IS, HOW BIG IT IS, 98 00:02:43,067 --> 00:02:43,733 WHATEVER. 99 00:02:43,733 --> 00:02:44,533 I DON'T CARE. 100 00:02:44,533 --> 00:02:45,667 I'M WILLING TO DO WHATEVER 101 00:02:45,667 --> 00:02:47,533 I HAVE TO DO TO HELP HER BREAK 102 00:02:47,533 --> 00:02:48,933 THIS ADDICTION TO STEVIE. 103 00:02:48,933 --> 00:02:51,767 I WANT YOU TO 104 00:02:51,767 --> 00:02:53,333 DO SOMETHING ELSE. 105 00:02:53,333 --> 00:02:55,067 YOU'VE JUST BECOME SO 106 00:02:55,067 --> 00:02:56,400 COMFORTABLE AND COMPLACENT, 107 00:02:56,400 --> 00:02:59,067 AND THAT'S NOT ALWAYS COOL. 108 00:02:59,067 --> 00:03:00,600 YOU GOT TO GET OUT OF THAT, 109 00:03:00,600 --> 00:03:01,600 'CAUSE YOU'VE BEEN DOING IT 110 00:03:01,600 --> 00:03:03,067 FOR TOO LONG. 111 00:03:03,067 --> 00:03:03,933 WHAT ARE YOU GONNA DO? 112 00:03:03,933 --> 00:03:05,567 ARIANE, I'VE--I CAN'T SIT 113 00:03:05,567 --> 00:03:07,500 HERE ON YOUR COUCH RIGHT NOW AND 114 00:03:07,500 --> 00:03:09,133 WORD-FOR-WORD TELL YOU WHAT 115 00:03:09,133 --> 00:03:09,833 I'M GONNA DO. 116 00:03:09,833 --> 00:03:10,633 I HAVE TO STILL DEAL WITH 117 00:03:10,633 --> 00:03:11,367 THIS MAN. 118 00:03:11,367 --> 00:03:12,133 WE HAVE A CHILD TOGETHER. 119 00:03:12,133 --> 00:03:12,833 DO YOU THINK YOU'RE GONNA 120 00:03:12,833 --> 00:03:15,200 LEAVE HIM, THOUGH? 121 00:03:15,200 --> 00:03:16,233 HONESTLY, DO YOU THINK YOU'RE 122 00:03:16,233 --> 00:03:18,233 GONNA LEAVE HIM? 123 00:03:23,067 --> 00:03:24,067 [dramatic hip-hop music] 124 00:03:24,067 --> 00:03:28,400 ♪ 125 00:03:28,400 --> 00:03:30,067 MY NAME IS RASHEEDA. 126 00:03:30,067 --> 00:03:32,600 I AM A FEMALE UNDERGROUND 127 00:03:32,600 --> 00:03:34,233 HIP-HOP ENTERTAINER. 128 00:03:34,233 --> 00:03:35,733 REPRESENTING THE ATL, 129 00:03:35,733 --> 00:03:37,500 SHAWTY. 130 00:03:37,500 --> 00:03:38,933 I'VE BEEN MARRIED FOR 12 YEARS 131 00:03:38,933 --> 00:03:41,067 TO MY SEXY GODIVA CHOCOLATE 132 00:03:41,067 --> 00:03:41,667 HUSBAND. 133 00:03:41,667 --> 00:03:43,300 HIS NAME IS KIRK, AND WE HAVE 134 00:03:43,300 --> 00:03:44,567 AN 11-YEAR-OLD. 135 00:03:44,567 --> 00:03:45,467 HIS NAME IS KY. 136 00:03:45,467 --> 00:03:46,867 THAT'S MY LITTLE "G". 137 00:03:46,867 --> 00:03:49,200 AND I HAVE FOUR STEPCHILDREN. 138 00:03:49,200 --> 00:03:50,833 ♪ I GOT MY OWN HOUSE 139 00:03:50,833 --> 00:03:52,433 ♪ I GOT MY OWN CAR 140 00:03:52,433 --> 00:03:54,067 ♪ LIKE LUPE SAID 141 00:03:54,067 --> 00:03:55,267 ♪ I'M A SUPERSTAR ♪ 142 00:03:55,267 --> 00:03:56,400 I'VE BEEN SIGNED TO MAJOR RECORD 143 00:03:56,400 --> 00:03:58,100 LABELS LIKE MOTOWN AND JIVE 144 00:03:58,100 --> 00:03:59,133 RECORDS, BUT THEY NEVER 145 00:03:59,133 --> 00:04:00,567 UNDERSTOOD ME AS AN ARTIST. 146 00:04:00,567 --> 00:04:02,333 SO WE DECIDED TO GO INDEPENDENT, 147 00:04:02,333 --> 00:04:03,733 AND TO BE HONEST WITH YOU, 148 00:04:03,733 --> 00:04:04,733 IT'S BEEN WORKING FOR ME 149 00:04:04,733 --> 00:04:05,467 EVER SINCE. 150 00:04:05,467 --> 00:04:06,333 ♪ TO RUN A CREDIT 151 00:04:06,333 --> 00:04:07,400 ♪ AND SWAG CHECK 152 00:04:07,400 --> 00:04:08,400 ♪ WHY YOU FLEXIN' ♪ 153 00:04:08,400 --> 00:04:09,700 ♪ WHEN YOU LIVIN' PAYCHECK ♪ 154 00:04:09,700 --> 00:04:10,667 BEING AN INDEPENDENT ARTIST 155 00:04:10,667 --> 00:04:12,267 REALLY TAKES TWICE THE WORK, 156 00:04:12,267 --> 00:04:13,633 AND IT'S REALLY HARD WHEN YOU'RE 157 00:04:13,633 --> 00:04:14,800 A WIFE AND A MOTHER. 158 00:04:14,800 --> 00:04:15,900 ♪ SO THAT MEANS I ROCK 159 00:04:15,900 --> 00:04:18,500 ♪ WITH THE BEST 160 00:04:18,500 --> 00:04:20,167 WHAT ARE WE WORKING ON TODAY? 161 00:04:20,167 --> 00:04:21,133 TRYING TO FIGURE OUT WHICH 162 00:04:21,133 --> 00:04:22,933 ONE OF THESE SINGLES WE'LL START 163 00:04:22,933 --> 00:04:24,133 OFF WITH. 164 00:04:24,133 --> 00:04:25,133 I'M STILL GOING THROUGH 165 00:04:25,133 --> 00:04:26,067 THE NUMBERS, TRYING TO STICK 166 00:04:26,067 --> 00:04:27,067 TO RESEARCH. 167 00:04:27,067 --> 00:04:27,767 I'M KIRK. 168 00:04:27,767 --> 00:04:28,933 I'M RASHEEDA'S HUSBAND 169 00:04:28,933 --> 00:04:29,933 AND HER MANAGER. 170 00:04:29,933 --> 00:04:31,200 TODAY WE PICKIN' WHICH SINGLE 171 00:04:31,200 --> 00:04:32,933 WE GONNA RELEASE FIRST. 172 00:04:32,933 --> 00:04:35,133 HOW'S MY RECORD LOOKING? 173 00:04:35,133 --> 00:04:35,900 LEGS TO THE MOON IS 174 00:04:35,900 --> 00:04:36,567 EXCELLENT. 175 00:04:36,567 --> 00:04:37,867 THE MARRY ME RECORD IS 176 00:04:37,867 --> 00:04:38,933 EXCELLENT. 177 00:04:38,933 --> 00:04:40,133 SO ARE WE GONNA SET THOSE UP 178 00:04:40,133 --> 00:04:40,800 FOR THE VIDEO? 179 00:04:40,800 --> 00:04:41,467 WHAT ARE WE GONNA DO? 180 00:04:41,467 --> 00:04:42,800 WE GONNA--WE GONNA RUN IT, OR 181 00:04:42,800 --> 00:04:43,567 WHAT DO YOU WANT TO DO? 182 00:04:43,567 --> 00:04:44,600 RASHEEDA IS ABOUT TO GO 183 00:04:44,600 --> 00:04:45,533 STRAIGHT DOWN THE MIDDLE 184 00:04:45,533 --> 00:04:47,267 MAINSTREAM, BUT HOOD, AND IT'S 185 00:04:47,267 --> 00:04:48,733 GONNA BE CRAZY. 186 00:04:48,733 --> 00:04:49,967 SHE HAS EVERYTHING THAT'S 187 00:04:49,967 --> 00:04:51,633 MISSING IN THE GAME RIGHT NOW, 188 00:04:51,633 --> 00:04:52,900 AND I THINK THERE'S ABOUT TO BE 189 00:04:52,900 --> 00:04:54,767 AN EXPLOSION TO THE RAP GAME. 190 00:04:54,767 --> 00:04:57,067 I WANT TO SELL ONE MILLION PLUS 191 00:04:57,067 --> 00:04:58,833 ALBUMS INDEPENDENT. 192 00:04:58,833 --> 00:05:00,800 I'M KNOWN FOR, LIKE, MY CLUB, 193 00:05:00,800 --> 00:05:03,300 GHETTO, HOOD, FABULOUS, 194 00:05:03,300 --> 00:05:04,367 BOSS CHICK MUSIC. 195 00:05:04,367 --> 00:05:05,633 WITH LEGS TO THE MOON, THAT'S 196 00:05:05,633 --> 00:05:08,700 GONNA BE AN INITIAL, LIKE, BOOM! 197 00:05:08,700 --> 00:05:09,900 IT CAPTURES YOU, ALREADY 198 00:05:09,900 --> 00:05:11,133 THE TITLE, LEGS TO THE MOON. 199 00:05:11,133 --> 00:05:12,133 "OOH, WHAT THEY TALKIN' ABOUT?" 200 00:05:12,133 --> 00:05:13,467 I KNOW LEGS TO THE MOON IS 201 00:05:13,467 --> 00:05:15,867 CRAZY, BUT TO ME, 202 00:05:15,867 --> 00:05:18,333 THE MARRY ME RECORD STICKS OUT 203 00:05:18,333 --> 00:05:20,533 MORE FOR A LOT OF REASONS. 204 00:05:20,533 --> 00:05:22,233 I'M DEFINITELY MORE HER SERVANT 205 00:05:22,233 --> 00:05:23,600 THAN HER HUSBAND OR MANAGER. 206 00:05:23,600 --> 00:05:24,633 IT'S LIKE I HAVE TO BEND OVER 207 00:05:24,633 --> 00:05:26,067 BACKWARDS FOR HER ALL THE TIME 208 00:05:26,067 --> 00:05:27,467 TO KEEP A SMILE ON HER FACE. 209 00:05:27,467 --> 00:05:28,767 AND THAT'S PROBABLY SOME SUCKER 210 00:05:28,767 --> 00:05:30,433 [bleep], BUT, YOU KNOW, I JUST 211 00:05:30,433 --> 00:05:31,233 DO WHAT I GOT TO DO, 212 00:05:31,233 --> 00:05:32,500 'CAUSE I'M ABOUT MAKING IT 213 00:05:32,500 --> 00:05:33,167 AND WINNING. 214 00:05:33,167 --> 00:05:34,367 IT'S ABOUT WINNING HERE. 215 00:05:34,367 --> 00:05:36,467 I FEEL LIKE YOUR FIRST SINGLE 216 00:05:36,467 --> 00:05:37,867 DEFINITELY HAS TO BE STRONG IN 217 00:05:37,867 --> 00:05:39,233 ORDER TO CAPTIVATE EVERYBODY, 218 00:05:39,233 --> 00:05:40,167 AND YOUR SECOND SINGLE NEED TO 219 00:05:40,167 --> 00:05:41,533 BE THE ONE THAT TAKE YOU THERE. 220 00:05:41,533 --> 00:05:42,633 WHAT WAS OUR BIGGEST RECORD 221 00:05:42,633 --> 00:05:43,433 LAST YEAR? 222 00:05:43,433 --> 00:05:44,900 YOU WANTED TO CHANGE THE RECORD. 223 00:05:44,900 --> 00:05:45,567 I DID IT. 224 00:05:45,567 --> 00:05:47,133 YOU WANTED ME TO JUMP ON 225 00:05:47,133 --> 00:05:47,800 ANOTHER RECORD. 226 00:05:47,800 --> 00:05:48,500 I DID IT. 227 00:05:48,500 --> 00:05:49,933 AND THOSE RECORDS DIDN'T PAN OUT 228 00:05:49,933 --> 00:05:51,367 THE WAY WE WANTED THEM TO, 229 00:05:51,367 --> 00:05:53,567 AND THOSE WERE YOUR DECISIONS. 230 00:05:53,567 --> 00:05:54,800 I DON'T WANT TO JUST DO WHAT YOU 231 00:05:54,800 --> 00:05:56,333 WANT TO PLEASE YOU. 232 00:05:56,333 --> 00:05:57,533 I WANT TO PLEASE THE FANS, 233 00:05:57,533 --> 00:05:59,567 BUT AT THE SAME TIME, IF I KICK 234 00:05:59,567 --> 00:06:00,800 MY LEG UP ON YOU WHILE WE LAYING 235 00:06:00,800 --> 00:06:02,533 IN THE BED AFTER THE BUSINESS, 236 00:06:02,533 --> 00:06:03,800 DON'T KICK IT BACK OFF 237 00:06:03,800 --> 00:06:04,867 BECAUSE YOU'RE MAD ABOUT 238 00:06:04,867 --> 00:06:06,733 SOME BUSINESS CRAP. 239 00:06:06,733 --> 00:06:08,133 SO MARRY ME IT IS. 240 00:06:08,133 --> 00:06:08,900 WITHOUT THE ATTITUDE. 241 00:06:08,900 --> 00:06:10,133 I AIN'T GOT NO ATTITUDE! 242 00:06:10,133 --> 00:06:11,733 I'M GOING--I'M GONNA FOLLOW 243 00:06:11,733 --> 00:06:12,567 YOUR LEAD THIS TIME. 244 00:06:12,567 --> 00:06:13,367 BUT I'M GONNA TELL YOU LIKE 245 00:06:13,367 --> 00:06:15,133 THIS: I WANT US TO MAKE 246 00:06:15,133 --> 00:06:16,067 THE RIGHT DECISIONS. 247 00:06:16,067 --> 00:06:17,067 AND I'VE GOTTEN BETTER WITH 248 00:06:17,067 --> 00:06:19,133 TAKING THAT TO THE BEDROOM. 249 00:06:19,133 --> 00:06:21,967 BUT I'M WORKING ON TRYING TO NOT 250 00:06:21,967 --> 00:06:23,133 BE READY TO STRANGLE YOUR ASS 251 00:06:23,133 --> 00:06:24,067 WHEN WE GET IN THE BED. 252 00:06:24,067 --> 00:06:26,067 [laughs] 253 00:06:27,467 --> 00:06:28,467 [fierce hip-hop music] 254 00:06:28,467 --> 00:06:34,567 ♪ 255 00:06:34,567 --> 00:06:36,300 AFTER THE BIRTHDAY MADNESS, 256 00:06:36,300 --> 00:06:37,733 I GOT TO GO SPEAK TO STEVIE TO 257 00:06:37,733 --> 00:06:39,067 MAKE SURE HIM AND I IS COOL, 258 00:06:39,067 --> 00:06:42,167 BECAUSE I REALLY NEED THAT HIT 259 00:06:42,167 --> 00:06:44,167 RECORD FROM HIM. 260 00:06:47,600 --> 00:06:50,133 WHERE'S STEVIE AT? 261 00:06:50,133 --> 00:06:51,133 HE'S ON HIS WAY. 262 00:06:51,133 --> 00:06:52,833 WE--WE GOT TO WORK TODAY. 263 00:06:52,833 --> 00:06:54,067 SO HE'S ON HIS WAY. 264 00:06:54,067 --> 00:06:55,100 SAY HELLO WHEN YOU COME IN 265 00:06:55,100 --> 00:06:55,933 THE ROOM FIRST. 266 00:06:55,933 --> 00:06:56,600 BE POLITE. 267 00:06:56,600 --> 00:06:57,367 SIT DOWN. 268 00:06:57,367 --> 00:06:58,700 KARLIE REDD, SHE JUST WANT TO 269 00:06:58,700 --> 00:07:00,167 START PROBLEMS. 270 00:07:00,167 --> 00:07:01,967 AND SHE NEED TO START IT WITH 271 00:07:01,967 --> 00:07:03,133 SOMEBODY ELSE, 'CAUSE SHE 272 00:07:03,133 --> 00:07:04,800 STARTING WITH THE WRONG PERSON, 273 00:07:04,800 --> 00:07:05,700 LET ME TELL YOU. 274 00:07:05,700 --> 00:07:07,133 I'M REALLY CONFUSED ABOUT WHAT 275 00:07:07,133 --> 00:07:08,133 HAPPENED THE OTHER NIGHT, 276 00:07:08,133 --> 00:07:09,600 BECAUSE, YOU KNOW, I THOUGHT YOU 277 00:07:09,600 --> 00:07:10,433 AND I WAS COOL. 278 00:07:10,433 --> 00:07:12,400 HONESTLY, MIMI WALKED IN, 279 00:07:12,400 --> 00:07:13,833 I DIDN'T EVEN KNOW. 280 00:07:13,833 --> 00:07:15,367 I DIDN'T KNOW NOTHING. 281 00:07:15,367 --> 00:07:17,567 I HAVEN'T SEEN MIMI IN YEARS. 282 00:07:17,567 --> 00:07:18,967 SO I'M JUST, LIKE, PUMPING YOU 283 00:07:18,967 --> 00:07:20,733 UP LIKE, "YO, THAT'S HER 284 00:07:20,733 --> 00:07:21,433 [bleep]. 285 00:07:21,433 --> 00:07:22,533 SHE RIDE OR DIE FOR STEVIE." 286 00:07:22,533 --> 00:07:23,433 LIKE, WHAT? 287 00:07:23,433 --> 00:07:24,900 I'M JUST LETTING MIMI KNOW, 288 00:07:24,900 --> 00:07:25,700 LIKE, THEY HAVE A GREAT 289 00:07:25,700 --> 00:07:26,633 CHEMISTRY. 290 00:07:26,633 --> 00:07:28,867 AND THEN THEY WERE LIKE, "WHAT?" 291 00:07:28,867 --> 00:07:29,900 WHEN I FIRST MET KARLIE, 292 00:07:29,900 --> 00:07:30,900 I THOUGHT SHE WAS COOL, BUT SHE 293 00:07:30,900 --> 00:07:32,667 DO TOO MUCH OF THIS [bleep]. 294 00:07:32,667 --> 00:07:35,067 SHE TOLD MIMI THAT STEVIE AND I 295 00:07:35,067 --> 00:07:36,500 WAS DATING, AND THIS AND THAT 296 00:07:36,500 --> 00:07:37,200 AND THE OTHER. 297 00:07:37,200 --> 00:07:38,567 YEAH, SHE TRYING TO BE MESSY, 298 00:07:38,567 --> 00:07:40,433 AND YES, IT'S GONNA BE PROBLEMS. 299 00:07:40,433 --> 00:07:41,767 MIMI AND STEVIE BEEN TOGETHER 300 00:07:41,767 --> 00:07:42,900 FOR 15 YEARS. 301 00:07:42,900 --> 00:07:44,067 I JUST CAME IN THE PICTURE ABOUT 302 00:07:44,067 --> 00:07:44,767 FOUR OR FIVE MONTHS AGO. 303 00:07:44,767 --> 00:07:45,467 SO I'M CONFUSED. 304 00:07:45,467 --> 00:07:47,067 YOU AND STEVIE WAS AT THE TABLE. 305 00:07:47,067 --> 00:07:47,933 YOU KNOW, YOU CALLING HIM DADDY 306 00:07:47,933 --> 00:07:48,700 AND EVERYTHING LIKE THAT. 307 00:07:48,700 --> 00:07:50,067 BUT BETWEEN ME AND YOU, 308 00:07:50,067 --> 00:07:51,300 REAL TALK, YOU DON'T WANT NOBODY 309 00:07:51,300 --> 00:07:51,967 TO KNOW? 310 00:07:51,967 --> 00:07:52,933 I-I DON'T KNOW WHAT YOU MEAN 311 00:07:52,933 --> 00:07:53,900 WHEN YOU SAY IF I DON'T WANT 312 00:07:53,900 --> 00:07:54,933 ANYONE TO KNOW. 313 00:07:54,933 --> 00:07:57,533 FIRST OF ALL, STEVIE AND I ARE 314 00:07:57,533 --> 00:07:58,867 JUST WORKING TOGETHER. 315 00:07:58,867 --> 00:08:00,133 OKAY, SO THE FACT THAT YOU 316 00:08:00,133 --> 00:08:01,133 KISSED HIM ON THE LIPS, 317 00:08:01,133 --> 00:08:01,800 THAT'S NOT-- 318 00:08:01,800 --> 00:08:04,067 BUT YOU'RE LYING ABOUT THAT, 319 00:08:04,067 --> 00:08:04,967 BECAUSE I NEVER KISSED STEVIE ON 320 00:08:04,967 --> 00:08:05,633 THE LIP. 321 00:08:05,633 --> 00:08:06,500 YOU KISSED HIM. 322 00:08:06,500 --> 00:08:07,667 WHEN DID YOU SEE ME--WHAT? 323 00:08:07,667 --> 00:08:08,867 WHEN--I REALLY WANT YOU TO 324 00:08:08,867 --> 00:08:09,633 EXPLAIN TO ME WHEN I [bleep] 325 00:08:09,633 --> 00:08:10,300 KISSED HIM ON THE LIPS. 326 00:08:10,300 --> 00:08:10,967 YOU KISSED HIM. 327 00:08:10,967 --> 00:08:11,633 WHERE? 328 00:08:11,633 --> 00:08:12,633 WERE YOU DRUNK? 329 00:08:12,633 --> 00:08:13,567 BABY, I DON'T GET DRUNK. 330 00:08:13,567 --> 00:08:14,233 OKAY. 331 00:08:14,233 --> 00:08:15,133 MAYBE YOU WAS DRUNK AND YOU 332 00:08:15,133 --> 00:08:15,900 THOUGHT THAT I KISSED HIM ON 333 00:08:15,900 --> 00:08:16,700 THE LIP, BUT I DIDN'T KISS HIM 334 00:08:16,700 --> 00:08:17,367 ON THE LIP. 335 00:08:17,367 --> 00:08:18,167 YOU WAS CALLING HIM DADDY. 336 00:08:18,167 --> 00:08:19,333 OKAY, THAT I GIVE YOU. 337 00:08:19,333 --> 00:08:20,067 I WAS CALLING HIM DADDY. 338 00:08:20,067 --> 00:08:20,700 OKAY. 339 00:08:20,700 --> 00:08:21,833 AND I ALWAYS CALL HIM DADDY. 340 00:08:21,833 --> 00:08:23,067 BRING ME THE PICTURES OF US 341 00:08:23,067 --> 00:08:23,933 KISSING. 342 00:08:23,933 --> 00:08:25,967 BRING ME PICTURES OF US SEXING. 343 00:08:25,967 --> 00:08:27,067 AND THEN WE CAN GO-- 344 00:08:27,067 --> 00:08:27,667 WE CAN GO THERE. 345 00:08:27,667 --> 00:08:28,867 I KNOW WHAT I SAW. 346 00:08:28,867 --> 00:08:30,400 I'M A GROWN-ASS WOMAN. 347 00:08:30,400 --> 00:08:31,900 AND I'M NOT STUPID. 348 00:08:31,900 --> 00:08:33,900 I'M A BAD LITTLE BOOCH. 349 00:08:33,900 --> 00:08:35,133 I DON'T NEED STEVIE. 350 00:08:35,133 --> 00:08:37,133 I COULD GET ANY MAN I WANT, ONE. 351 00:08:37,133 --> 00:08:38,467 TWO, I DON'T WANT STEVIE. 352 00:08:38,467 --> 00:08:39,800 HE COULD BE WITH ME. 353 00:08:39,800 --> 00:08:40,700 I'M NOT TRIPPING. 354 00:08:40,700 --> 00:08:41,967 I JUST WANT TO WORK. 355 00:08:41,967 --> 00:08:43,067 THERE'S SO MUCH I WANT TO 356 00:08:43,067 --> 00:08:43,933 TALK ABOUT THAT WITH THAT 357 00:08:43,933 --> 00:08:45,800 SITUATION RIGHT THERE, YOU KNOW. 358 00:08:45,800 --> 00:08:47,167 BUT I'M REALLY--I'M REALLY 359 00:08:47,167 --> 00:08:49,333 TRYING TO HOLD MY BREATH, 360 00:08:49,333 --> 00:08:51,700 'CAUSE, YOU KNOW--UGH. 361 00:08:51,700 --> 00:08:53,567 LIKE, OH, MY GOSH. 362 00:08:53,567 --> 00:08:55,133 AT THE END OF THE DAY, I WANT TO 363 00:08:55,133 --> 00:08:55,900 WORK WITH STEVIE. 364 00:08:55,900 --> 00:08:56,967 I'M HERE TO WORK. 365 00:08:56,967 --> 00:08:57,833 JUST LIKE YOU'RE HERE TO WORK, 366 00:08:57,833 --> 00:08:58,967 I'M HERE TO WORK. 367 00:08:58,967 --> 00:08:59,733 I'M HERE TO WORK TO GET 368 00:08:59,733 --> 00:09:01,133 MY [bleep] HIT. 369 00:09:01,133 --> 00:09:02,133 THAT'S WHAT I'M HERE TO DO. 370 00:09:02,133 --> 00:09:03,333 WE HAVE TO COME INTO 371 00:09:03,333 --> 00:09:04,233 AN AGREEMENT, 'CAUSE YOU HAVE TO 372 00:09:04,233 --> 00:09:06,933 REMEMBER, I AM STEVIE'S 373 00:09:06,933 --> 00:09:08,300 NUMBER-ONE PRIORITY RIGHT NOW. 374 00:09:08,300 --> 00:09:09,667 WE HAVE A LOT GOING ON-- 375 00:09:09,667 --> 00:09:10,867 A LOT GOING ON. 376 00:09:10,867 --> 00:09:11,867 AND YOU OLDER THAN ME, 377 00:09:11,867 --> 00:09:13,067 SO I UNDERSTAND WHY YOU GIVING 378 00:09:13,067 --> 00:09:14,867 ME ADVICE, BUT I--I'M WORKING 379 00:09:14,867 --> 00:09:16,233 WITH THE BEST OF THE BEST. 380 00:09:16,233 --> 00:09:17,500 SO HE GAVE--HE GIVES ME PLENTY 381 00:09:17,500 --> 00:09:18,467 OF ADVICE. 382 00:09:18,467 --> 00:09:19,867 AND IF HE HASN'T TOLD ME TO STOP 383 00:09:19,867 --> 00:09:20,967 CALLING HIM DADDY, 384 00:09:20,967 --> 00:09:22,967 I'M NOT GONNA STOP. 385 00:09:25,333 --> 00:09:26,167 I WANT YOU TO LOOK ME IN 386 00:09:26,167 --> 00:09:28,233 MY FACE AND TELL ME, 387 00:09:28,233 --> 00:09:30,233 ARE YOU [bleep] THIS GIRL? 388 00:09:30,233 --> 00:09:31,400 I FELT LIKE YOU WAS ASHAMED 389 00:09:31,400 --> 00:09:32,133 OF ME. 390 00:09:32,133 --> 00:09:33,200 I KNOW PEOPLE USED TO TELL YOU, 391 00:09:33,200 --> 00:09:34,700 "OH, YOUR MOTHER'S ON DRUGS," 392 00:09:34,700 --> 00:09:35,600 WHICH--IT WAS TRUE. 393 00:09:35,600 --> 00:09:36,367 I DON'T WANT TO TALK 394 00:09:36,367 --> 00:09:38,300 ABOUT THIS. 395 00:09:38,300 --> 00:09:40,300 I JUST TOOK A PREGNANCY TEST. 396 00:09:46,467 --> 00:09:47,467 [atmospheric hip-hop music] 397 00:09:47,467 --> 00:09:50,067 ♪ 398 00:09:50,067 --> 00:09:51,167 AT THE K. MICHELLE BIRTHDAY 399 00:09:51,167 --> 00:09:52,333 PARTY, I WAS LOOKING A LITTLE 400 00:09:52,333 --> 00:09:53,333 BANANAS. 401 00:09:53,333 --> 00:09:55,533 I MIGHT HAVE EVEN [bleep] UP. 402 00:09:55,533 --> 00:09:57,067 AND I'VE BEEN CALLING MIMI OVER 403 00:09:57,067 --> 00:09:58,467 AND OVER AGAIN, BUT SHE'S NOT 404 00:09:58,467 --> 00:09:59,700 ANSWERING MY CALLS. 405 00:09:59,700 --> 00:10:00,600 SHE OWNS THIS LITTLE CLEANING 406 00:10:00,600 --> 00:10:02,333 COMPANY, SO I'M GONNA POP UP 407 00:10:02,333 --> 00:10:03,233 AT HER JOB. 408 00:10:03,233 --> 00:10:04,300 YOU KNOW, I GOT TO SMOOTH THINGS 409 00:10:04,300 --> 00:10:05,633 OUT ASAP BEFORE IT GETS 410 00:10:05,633 --> 00:10:07,567 WAY MESSIER. 411 00:10:07,567 --> 00:10:08,733 YOU AIN'T ANSWERED MY CALLS. 412 00:10:08,733 --> 00:10:11,633 WHAT'S UP WITH YOU? 413 00:10:11,633 --> 00:10:13,167 [sighs] 414 00:10:13,167 --> 00:10:14,300 I CAME TO LET YOU KNOW A FEW 415 00:10:14,300 --> 00:10:17,767 THINGS THAT--FIRST OF ALL, 416 00:10:17,767 --> 00:10:20,000 YOU AND MY FAMILY--YOU 417 00:10:20,000 --> 00:10:21,033 AND MY KIDS ARE MY NUMBER-ONE 418 00:10:21,033 --> 00:10:22,400 PRIORITY. 419 00:10:22,400 --> 00:10:26,133 JUST LISTEN TO ME FOR A SECOND. 420 00:10:26,133 --> 00:10:27,700 AT THE END OF THE DAY, YOU GOT 421 00:10:27,700 --> 00:10:30,067 TO UNDERSTAND, I LOVE YOU, BUT 422 00:10:30,067 --> 00:10:32,400 WORKING IS HOW I GET MY MONEY. 423 00:10:32,400 --> 00:10:33,633 AND I WANT TO MAKE THINGS RIGHT 424 00:10:33,633 --> 00:10:34,767 WITH US. 425 00:10:34,767 --> 00:10:36,467 WHAT IS GOING ON WITH 426 00:10:36,467 --> 00:10:37,300 YOU AND HER? 427 00:10:37,300 --> 00:10:38,100 WHAT MAKE YOU ASK ME THAT? 428 00:10:38,100 --> 00:10:39,467 WHY WOULD SHE THROW A DRINK 429 00:10:39,467 --> 00:10:40,333 ON YOU? 430 00:10:40,333 --> 00:10:41,400 SHE PROBABLY WAS JUST-- 431 00:10:41,400 --> 00:10:42,367 YOU KNOW, I DON'T KNOW. 432 00:10:42,367 --> 00:10:43,100 YEAH, YOU DO KNOW. 433 00:10:43,100 --> 00:10:43,733 ASK HER. 434 00:10:43,733 --> 00:10:44,567 NO, I'M ASKING YOU. 435 00:10:44,567 --> 00:10:45,267 I DON'T KNOW. 436 00:10:45,267 --> 00:10:46,500 I'M ASKING YOU, 'CAUSE YOU DO 437 00:10:46,500 --> 00:10:47,167 KNOW. 438 00:10:47,167 --> 00:10:48,100 I WANT YOU TO LOOK ME IN 439 00:10:48,100 --> 00:10:49,967 MY FACE AND TELL ME, 440 00:10:49,967 --> 00:10:52,900 ARE YOU [bleep] THIS GIRL? 441 00:10:52,900 --> 00:10:54,900 NO, I'M NOT. 442 00:10:57,267 --> 00:10:58,267 WHY ARE YOU DOING ALL THAT? 443 00:10:58,267 --> 00:10:59,200 WHY ARE YOU SMILING? 444 00:10:59,200 --> 00:11:00,433 [hisses] 445 00:11:00,433 --> 00:11:01,200 I'M NOT [bleep] HER. 446 00:11:01,200 --> 00:11:02,567 WHY ARE YOU SMILING? 447 00:11:02,567 --> 00:11:03,667 'CAUSE YOU ALL IN MY FACE 448 00:11:03,667 --> 00:11:04,667 LIKE-- 449 00:11:04,667 --> 00:11:05,533 YEAH, 'CAUSE YOU [bleep] 450 00:11:05,533 --> 00:11:06,867 SMILING, AND I DON'T SEE WHAT'S 451 00:11:06,867 --> 00:11:09,233 FUNNY. 452 00:11:09,233 --> 00:11:10,800 NO, I'M NOT [bleep] HER. 453 00:11:10,800 --> 00:11:12,367 HAVE YOU EVER? 454 00:11:12,367 --> 00:11:14,367 I'M NOT [bleep] HER. 455 00:11:14,367 --> 00:11:16,367 I DON'T BELIEVE YOU. 456 00:11:16,367 --> 00:11:18,167 WHEN I SAW YOU GUYS, AND WHEN I 457 00:11:18,167 --> 00:11:20,567 WALKED OUT, YOU AND HER BEEFING. 458 00:11:20,567 --> 00:11:22,067 FOR WHAT? 459 00:11:22,067 --> 00:11:23,467 WE WAS BEEFING BECAUSE SHE 460 00:11:23,467 --> 00:11:24,333 WANTED TO GO TO THE STUDIO. 461 00:11:24,333 --> 00:11:25,600 WE WAS ALREADY TWO HOURS LATE. 462 00:11:25,600 --> 00:11:26,467 THEN YOU SHOULDN'T HAVE CAME 463 00:11:26,467 --> 00:11:27,167 TO THE PARTY. 464 00:11:27,167 --> 00:11:29,167 YOU'RE RIGHT. 465 00:11:29,167 --> 00:11:29,967 I DON'T WANT TO SCREAM 466 00:11:29,967 --> 00:11:31,067 AND HOLLER. 467 00:11:31,067 --> 00:11:33,733 I'M ASKING YOU TO JUST CHILL. 468 00:11:33,733 --> 00:11:35,100 OKAY. 469 00:11:35,100 --> 00:11:35,967 THANK YOU. 470 00:11:35,967 --> 00:11:37,467 IT'S NOT LOOKING GOOD RIGHT NOW. 471 00:11:37,467 --> 00:11:39,067 IT'S GONNA TAKE SOME FIXING, 472 00:11:39,067 --> 00:11:41,133 SOME REAL, REAL FIXING. 473 00:11:41,133 --> 00:11:42,167 LET'S TALK SERIOUS FOR 474 00:11:42,167 --> 00:11:43,800 A MINUTE, OKAY? 475 00:11:43,800 --> 00:11:45,100 LET'S GET DOWN TO THE BUSINESS. 476 00:11:45,100 --> 00:11:48,067 I WANT TO CUT YOU IN. 477 00:11:48,067 --> 00:11:48,967 I WANT TO GIVE YOU, LIKE, 478 00:11:48,967 --> 00:11:50,833 A PERCENTAGE-- 479 00:11:50,833 --> 00:11:52,133 A COUPLE PERCENT. 480 00:11:52,133 --> 00:11:54,300 A COUPLE PERCENT? 481 00:11:54,300 --> 00:11:55,067 YEAH. 482 00:11:55,067 --> 00:11:56,133 WHAT IS THAT? 483 00:11:56,133 --> 00:11:57,933 5% OF, YOU KNOW, 484 00:11:57,933 --> 00:11:59,300 THE PROJECT. 485 00:11:59,300 --> 00:12:00,467 WHAT PROJECT? 486 00:12:00,467 --> 00:12:01,700 JOSELINE'S PROJECT. 487 00:12:01,700 --> 00:12:02,633 NO, [bleep] THAT. 488 00:12:02,633 --> 00:12:04,333 IF YOU GIVING ME 5%, 489 00:12:04,333 --> 00:12:05,467 I WANT 5% FROM YOU, 490 00:12:05,467 --> 00:12:06,867 AND I WANT 5% FROM HER. 491 00:12:06,867 --> 00:12:08,333 [laughs] 492 00:12:08,333 --> 00:12:09,667 GIVE ME 10%... 493 00:12:09,667 --> 00:12:10,367 YO... 494 00:12:10,367 --> 00:12:11,433 OF EVERYTHING. 495 00:12:11,433 --> 00:12:13,267 I KNOW YOU [bleep] THIS BITCH. 496 00:12:13,267 --> 00:12:14,300 SO I WANT 5% FROM YOU. 497 00:12:14,300 --> 00:12:16,067 I'M NOT [bleep] HER. 498 00:12:16,067 --> 00:12:17,467 MY SPIDEY SENSES TELL ME 499 00:12:17,467 --> 00:12:18,600 OTHERWISE. 500 00:12:18,600 --> 00:12:20,800 I'M DONE PLAYING GAMES. 501 00:12:20,800 --> 00:12:22,467 I KNOW WHAT'S BEEN GOING ON. 502 00:12:22,467 --> 00:12:23,867 I'M READY TO HIT STEVIE IN 503 00:12:23,867 --> 00:12:25,300 THE ONLY PLACE HE'S GONNA FEEL 504 00:12:25,300 --> 00:12:27,167 IT: HIS WALLET. 505 00:12:27,167 --> 00:12:28,067 PUT IT ON PAPER. 506 00:12:28,067 --> 00:12:28,833 ALL RIGHT. 507 00:12:28,833 --> 00:12:30,533 GET THE CONTRACT DRAWN UP. 508 00:12:30,533 --> 00:12:31,200 I GOT-- 509 00:12:31,200 --> 00:12:32,567 GET THE LAWYER TO LOOK AT IT. 510 00:12:32,567 --> 00:12:33,733 I'LL GET ED TO-- 511 00:12:33,733 --> 00:12:34,400 THROW JOSELINE ON IT. 512 00:12:34,400 --> 00:12:35,100 YOU LOOK AT IT. 513 00:12:35,100 --> 00:12:36,067 YOU GIVE IT TO YOUR ATTORNEY. 514 00:12:36,067 --> 00:12:38,267 ABSO--ABSOLUTELY. 515 00:12:38,267 --> 00:12:39,133 SO WHAT TIME YOU GETTING OFF? 516 00:12:39,133 --> 00:12:39,933 I DON'T KNOW. 517 00:12:39,933 --> 00:12:40,833 WHEN I GET DONE. 518 00:12:40,833 --> 00:12:41,667 CAN I SEE YOU 519 00:12:41,667 --> 00:12:42,367 AFTER YOU FINISHED? 520 00:12:42,367 --> 00:12:43,233 NO. 521 00:12:43,233 --> 00:12:45,100 OH, NOW YOU WANT TO SEE ME? 522 00:12:45,100 --> 00:12:46,833 NOW? 523 00:12:46,833 --> 00:12:50,367 NOW YOU WANT TO SEE ME. 524 00:12:50,367 --> 00:12:53,533 WILL YOU THINK ABOUT IT? 525 00:12:53,533 --> 00:12:54,767 PROBABLY WHEN I GET DONE 526 00:12:54,767 --> 00:12:56,300 HERE, I'M GONNA BE TIRED MYSELF, 527 00:12:56,300 --> 00:12:58,333 SO... 528 00:12:58,333 --> 00:13:00,567 CALL ME TOMORROW MAYBE. 529 00:13:00,567 --> 00:13:03,333 [chuckles] WORD? 530 00:13:03,333 --> 00:13:04,233 TOMORROW? 531 00:13:04,233 --> 00:13:06,233 YEAH. 532 00:13:10,333 --> 00:13:12,167 THIS MARRY ME RECORD IS 533 00:13:12,167 --> 00:13:14,067 A FEMALE ANTHEM. 534 00:13:14,067 --> 00:13:15,067 YOU KNOW THAT, RIGHT? 535 00:13:15,067 --> 00:13:15,833 SO I HEAR. 536 00:13:15,833 --> 00:13:16,967 SO YOU KNOW. 537 00:13:16,967 --> 00:13:18,167 [hip-hop music] 538 00:13:18,167 --> 00:13:19,300 [exclaims] 539 00:13:19,300 --> 00:13:21,167 THAT'S WHAT--COME ON, NOW. 540 00:13:21,167 --> 00:13:22,300 ♪ PUT IT ON AND MAKE HIM 541 00:13:22,300 --> 00:13:23,900 ♪ WANT TO MARRY ME 542 00:13:23,900 --> 00:13:25,333 ♪ I PUT IT ON AND MAKE HIM 543 00:13:25,333 --> 00:13:26,933 ♪ WANT TO MARRY ME 544 00:13:26,933 --> 00:13:28,367 ♪ I PUT IT ON TO MAKE HIM 545 00:13:28,367 --> 00:13:29,400 ♪ WANT TO MARRY ME 546 00:13:29,400 --> 00:13:30,400 AND IT'S REAL TALK. 547 00:13:30,400 --> 00:13:32,233 YOU KNOW HOW MANY GIRLS CAN 548 00:13:32,233 --> 00:13:33,200 RELATE TO THIS? 549 00:13:33,200 --> 00:13:34,433 WANT TO GET MARRIED, 550 00:13:34,433 --> 00:13:35,733 WHO IS MARRIED, 551 00:13:35,733 --> 00:13:36,633 AND KNOW THEY PUT IT ON? 552 00:13:36,633 --> 00:13:37,633 ♪ PUT IT ON AND MAKE HIM 553 00:13:37,633 --> 00:13:39,100 ♪ WANT TO MARRY ME 554 00:13:39,100 --> 00:13:40,333 ♪ YEAH, YOU KNOW IT 555 00:13:40,333 --> 00:13:42,700 [laughs] 556 00:13:42,700 --> 00:13:43,367 ♪ COME ON 557 00:13:43,367 --> 00:13:44,400 ♪ BOY, YOU KNOW YOU WANT TO 558 00:13:44,400 --> 00:13:46,167 ♪ PUT A RING ON MY FINGER 559 00:13:46,167 --> 00:13:47,333 ♪ THIS LOVIN' SO GOOD ♪ 560 00:13:47,333 --> 00:13:49,167 ♪ I SHOULD NEVER BE SINGLE 561 00:13:49,167 --> 00:13:50,400 ♪ HE LOVE THE WAY I THROW IT 562 00:13:50,400 --> 00:13:52,333 ♪ LIKE A PITCHER ON THE MOUND 563 00:13:52,333 --> 00:13:53,467 ♪ PUT IT ON AND MAKE HIM 564 00:13:53,467 --> 00:13:54,467 ♪ WANT A WIFE OR KIDS 565 00:13:54,467 --> 00:13:55,167 [yowls] 566 00:13:55,167 --> 00:13:55,967 LET'S HEAR IT. 567 00:13:55,967 --> 00:13:56,633 [yowls] 568 00:13:56,633 --> 00:13:57,333 ♪ I CAN RIDE IT 569 00:13:57,333 --> 00:13:58,600 ♪ LIKE A COWGIRL 570 00:13:58,600 --> 00:14:00,667 [laughs] 571 00:14:00,667 --> 00:14:01,733 YOU KNOW, LIKE, I'VE BEEN 572 00:14:01,733 --> 00:14:03,067 THINKING ABOUT THIS MARRY ME 573 00:14:03,067 --> 00:14:04,700 RECORD, AND I REALLY, REALLY 574 00:14:04,700 --> 00:14:06,400 FEEL LIKE WE NEED TO DO A REAL 575 00:14:06,400 --> 00:14:08,233 VIDEO AND REALLY STEP 576 00:14:08,233 --> 00:14:09,067 EVERYTHING UP. 577 00:14:09,067 --> 00:14:10,900 MEANING, REAL DIRECTOR, 578 00:14:10,900 --> 00:14:12,167 REAL PRODUCTION, 579 00:14:12,167 --> 00:14:13,167 BETTER CAMERAS, 580 00:14:13,167 --> 00:14:14,167 MORE THAN ONE CAMERA. 581 00:14:14,167 --> 00:14:15,167 YOU KNOW WHAT I'M SAYING? 582 00:14:15,167 --> 00:14:16,333 LIKE, A TOTAL CONCEPT 583 00:14:16,333 --> 00:14:18,800 STORYBOARD--THE WHOLE SHEBANG. 584 00:14:18,800 --> 00:14:19,867 I'MA GIVE RASHEEDA WHAT SHE 585 00:14:19,867 --> 00:14:21,567 WANT, BUT AT THE SAME TIME, 586 00:14:21,567 --> 00:14:22,867 SHE'S GONNA DO IT MY WAY. 587 00:14:22,867 --> 00:14:24,233 I NEED RASHEEDA TO BE 100 588 00:14:24,233 --> 00:14:25,067 ON THIS VIDEO. 589 00:14:25,067 --> 00:14:26,233 SOMETIMES SHE'S JUST PRONE TO 590 00:14:26,233 --> 00:14:28,533 JUST PHONIN' IN, NOT BEING 100, 591 00:14:28,533 --> 00:14:29,433 NOT BEING FOCUSED. 592 00:14:29,433 --> 00:14:31,067 SO I NEED HER TO BE RIGHT THERE. 593 00:14:31,067 --> 00:14:31,967 YOU KNOW, THERE'S TIME WHEN YOU 594 00:14:31,967 --> 00:14:34,467 PUTTIN' RASHEEDA TO A PROJECT 595 00:14:34,467 --> 00:14:35,733 AND WE CAN FEEL IT. 596 00:14:35,733 --> 00:14:36,400 RIGHT. 597 00:14:36,400 --> 00:14:37,433 THERE'S TIMES WHEN YOU DOING 598 00:14:37,433 --> 00:14:38,433 IT, WHEN YOU, YOU KNOW--WHEN 599 00:14:38,433 --> 00:14:39,333 THERE'S THAT URGENCY OF, 600 00:14:39,333 --> 00:14:41,433 "OKAY, I NEED TO RIP THIS 601 00:14:41,433 --> 00:14:42,567 [bleep] DOWN." 602 00:14:42,567 --> 00:14:43,433 LIKE, THERE'S A DIFFERENT 603 00:14:43,433 --> 00:14:44,100 RASHEEDA. 604 00:14:44,100 --> 00:14:45,333 OKAY, AND THAT'S WHERE 605 00:14:45,333 --> 00:14:46,400 I'M AT. 606 00:14:46,400 --> 00:14:47,167 ARE YOU READY? 607 00:14:47,167 --> 00:14:48,100 I'M--I'M-- 608 00:14:48,100 --> 00:14:48,933 BECAUSE I'M GONNA BE READY, 609 00:14:48,933 --> 00:14:50,100 BECAUSE THE LAST THING THAT I'M 610 00:14:50,100 --> 00:14:52,200 GONNA BE COMFORTABLE WITH IS YOU 611 00:14:52,200 --> 00:14:53,533 TELLING ME THAT I'M HALF-ASSING 612 00:14:53,533 --> 00:14:54,233 SOME [bleep]. 613 00:14:54,233 --> 00:14:55,500 LIKE, GIVE ME THE GRIND, 614 00:14:55,500 --> 00:14:57,500 AND I'LL GIVE YOU MY 100%. 615 00:14:57,500 --> 00:14:58,733 YOU NEED TO BE UNDERSTANDING 616 00:14:58,733 --> 00:15:00,200 THAT YOU KNOW I'M GONNA DELIVER, 617 00:15:00,200 --> 00:15:01,400 BECAUSE THAT'S WHAT THE [bleep] 618 00:15:01,400 --> 00:15:03,800 I DO, AND WHEN I DO DELIVER, 619 00:15:03,800 --> 00:15:05,800 YOU NEED TO BE READY TO TAKE 620 00:15:05,800 --> 00:15:07,467 THIS PROJECT TO THE NEXT LEVEL. 621 00:15:07,467 --> 00:15:08,933 WHEN IT'S TIME TO BE SOMEWHERE, 622 00:15:08,933 --> 00:15:10,200 WHEN IT'S TIME FOR SOMETHING TO 623 00:15:10,200 --> 00:15:11,733 BE DONE, I'M GONNA BE FRONT 624 00:15:11,733 --> 00:15:14,067 AND CENTER. 625 00:15:14,067 --> 00:15:15,067 [twinkling electronic music] 626 00:15:15,067 --> 00:15:19,233 ♪ 627 00:15:19,233 --> 00:15:20,933 THANK YOU. 628 00:15:20,933 --> 00:15:21,667 THANK YOU TOO. 629 00:15:21,667 --> 00:15:22,433 THANK YOU! 630 00:15:22,433 --> 00:15:23,800 HAVE A GOOD NIGHT. 631 00:15:23,800 --> 00:15:24,800 I HAVEN'T HAD A REAL 632 00:15:24,800 --> 00:15:26,467 RELATIONSHIP WITH MY MOTHER 633 00:15:26,467 --> 00:15:29,167 FOR ABOUT TEN YEARS. 634 00:15:29,167 --> 00:15:31,567 SINCE RECONNECTIN', SHE'S REALLY 635 00:15:31,567 --> 00:15:32,500 TRYING TO BE INVOLVED IN 636 00:15:32,500 --> 00:15:33,200 MY LIFE. 637 00:15:33,200 --> 00:15:34,633 AND MAYBE SHE'S TRYING TO MAKE 638 00:15:34,633 --> 00:15:35,933 UP FOR LOST TIMES. 639 00:15:35,933 --> 00:15:37,233 LET ME ASK YOU SOMETHING. 640 00:15:37,233 --> 00:15:38,133 DO YOU KNOW THE DIFFERENCE 641 00:15:38,133 --> 00:15:38,900 BETWEEN A BOY AND A MAN? 642 00:15:38,900 --> 00:15:39,667 MM-HMM. 643 00:15:39,667 --> 00:15:40,400 WHAT? 644 00:15:40,400 --> 00:15:42,600 UM... 645 00:15:42,600 --> 00:15:43,833 WELL--WHAT'S YOUR SAYING? 646 00:15:43,833 --> 00:15:44,567 A MAN, UM... 647 00:15:44,567 --> 00:15:45,433 A MAN DOES WHAT HE'S SUPPOSED 648 00:15:45,433 --> 00:15:46,133 TO DO. 649 00:15:46,133 --> 00:15:46,833 YEAH... 650 00:15:46,833 --> 00:15:47,567 AND A BOY DO WHAT HE MADE 651 00:15:47,567 --> 00:15:48,267 TO DO. 652 00:15:48,267 --> 00:15:49,067 WHAT HE TOLD. 653 00:15:49,067 --> 00:15:49,733 WHICH ONE WOULD YOU SAY 654 00:15:49,733 --> 00:15:50,533 SCRAPPY IS? 655 00:15:50,533 --> 00:15:52,567 UM... 656 00:15:52,567 --> 00:15:54,067 HONESTLY. 657 00:15:54,067 --> 00:15:55,300 HONESTLY? 658 00:15:55,300 --> 00:15:57,767 HE'S A BOY BECOMING A MAN. 659 00:15:57,767 --> 00:15:59,200 SO YOU RECOGNIZE IT. 660 00:15:59,200 --> 00:16:00,267 MM-HMM. 661 00:16:00,267 --> 00:16:01,300 DO YOU FEEL THAT YOU HAVE TO 662 00:16:01,300 --> 00:16:02,467 BE WITH YOUR BABY'S FATHER? 663 00:16:02,467 --> 00:16:03,933 OH, NO. 664 00:16:03,933 --> 00:16:04,600 YOU DON'T? 665 00:16:04,600 --> 00:16:05,267 NO. 666 00:16:05,267 --> 00:16:06,433 LIKE, IS TRYING TO MAKE 667 00:16:06,433 --> 00:16:07,767 THE FAMILY WORK, TRYING TO MAKE 668 00:16:07,767 --> 00:16:09,167 IT--TRYING TO MAKE IT WORK? 669 00:16:09,167 --> 00:16:09,833 NO. 670 00:16:09,833 --> 00:16:10,633 YOU'RE NOT--YOU SURE? 671 00:16:10,633 --> 00:16:11,533 YEAH, I'M POSITIVE. 672 00:16:11,533 --> 00:16:12,967 I LOVE SCRAPPY. 673 00:16:12,967 --> 00:16:14,300 HE'S MY BOOSKI. 674 00:16:14,300 --> 00:16:15,867 YOU'RE SO MUCH MORE ADVANCED, 675 00:16:15,867 --> 00:16:17,167 ERICA. 676 00:16:17,167 --> 00:16:18,500 BUT THAT'S YOUR OPINION, 677 00:16:18,500 --> 00:16:19,300 MAMA. 678 00:16:19,300 --> 00:16:20,167 IT'S LIKE WHEN YOU WERE GOING 679 00:16:20,167 --> 00:16:21,167 TO SCHOOL, HE SAID HE WAS GONNA 680 00:16:21,167 --> 00:16:21,767 GO TO SCHOOL. 681 00:16:21,767 --> 00:16:22,667 YOU WENT TO SCHOOL AND 682 00:16:22,667 --> 00:16:24,233 GRADUATED AND HAVE A JOB. 683 00:16:24,233 --> 00:16:25,800 I JUST WANT YOU TO BE HAPPY, 684 00:16:25,800 --> 00:16:26,467 ERICA. 685 00:16:26,467 --> 00:16:27,400 I'M NOT PUTTING SCRAPPY DOWN. 686 00:16:27,400 --> 00:16:28,733 I DON'T DISLIKE SCRAPPY. 687 00:16:28,733 --> 00:16:30,633 I FEEL THAT HE CAN DO MORE. 688 00:16:30,633 --> 00:16:31,900 I KNOW THAT HE CAN DO MORE. 689 00:16:31,900 --> 00:16:33,433 I'VE SEEN HIM DO MORE. 690 00:16:33,433 --> 00:16:35,467 SEE, LIKE, HE'S JUST AT 691 00:16:35,467 --> 00:16:37,100 A STANDSTILL RIGHT NOW, AND HE 692 00:16:37,100 --> 00:16:38,833 JUST CAN'T GET IT TOGETHER. 693 00:16:38,833 --> 00:16:40,100 HE'S NOT. 694 00:16:40,100 --> 00:16:41,233 THAT'S JUST--THAT'S JUST 695 00:16:41,233 --> 00:16:42,067 HOW YOU FEEL. 696 00:16:42,067 --> 00:16:43,433 IT'S JUST YOU ON THE OUTSIDE 697 00:16:43,433 --> 00:16:44,100 LOOKING IN. 698 00:16:44,100 --> 00:16:45,367 DO YOU FEEL LIKE THAT BECAUSE 699 00:16:45,367 --> 00:16:46,867 YOUR BIOLOGICAL PARENTS--ME 700 00:16:46,867 --> 00:16:47,600 AND YOUR FATHER--WEREN'T 701 00:16:47,600 --> 00:16:49,533 ACTUALLY THERE, EVEN THOUGH YOU 702 00:16:49,533 --> 00:16:50,700 HAD THE FAMILY LOVE, THAT YOU 703 00:16:50,700 --> 00:16:52,067 WANT TO MAKE SURE EMANI IS WITH 704 00:16:52,067 --> 00:16:53,167 HER BIOLOGICAL PARENTS? 705 00:16:53,167 --> 00:16:54,233 NO, 'CAUSE AT THE END OF 706 00:16:54,233 --> 00:16:55,167 THE DAY, I TOLD SCRAPPY, 707 00:16:55,167 --> 00:16:57,100 REGARDLESS IF WE DON'T WORK OUT, 708 00:16:57,100 --> 00:16:58,533 LONG AS YOU HAPPY AND THAT 709 00:16:58,533 --> 00:17:00,167 LITTLE GIRL HAPPY, I'M COOL. 710 00:17:00,167 --> 00:17:01,167 JUST WANTED TO MAKE SURE YOU 711 00:17:01,167 --> 00:17:02,167 WEREN'T SEARCHING FOR THAT FAM-- 712 00:17:02,167 --> 00:17:02,933 SEARCHING FOR THAT FAMILY, 713 00:17:02,933 --> 00:17:04,167 CAUSE I KNOW WE WEREN'T-- 714 00:17:04,167 --> 00:17:05,167 WE WEREN'T THERE LIKE WE SHOULD 715 00:17:05,167 --> 00:17:06,300 HAVE BEEN. 716 00:17:06,300 --> 00:17:07,667 MY MOM RAISED ME UNTIL 717 00:17:07,667 --> 00:17:09,367 I WAS ABOUT FOUR OR FIVE, 718 00:17:09,367 --> 00:17:11,567 AND THEN SHE GOT ADDICTED TO 719 00:17:11,567 --> 00:17:14,400 CRACK COCAINE, AND CONSEQUENTLY, 720 00:17:14,400 --> 00:17:15,933 ENDED UP GOING TO PRISON. 721 00:17:15,933 --> 00:17:17,900 DURING HER TIME AT PRISON, 722 00:17:17,900 --> 00:17:19,300 I WAS SENT TO NEW YORK, 723 00:17:19,300 --> 00:17:20,500 RAISED BY MY AUNT, 724 00:17:20,500 --> 00:17:22,067 AND I DIDN'T FEEL LIKE MY MOM 725 00:17:22,067 --> 00:17:23,067 LOVED ME. 726 00:17:23,067 --> 00:17:24,533 WHEN WE WERE IN NEW YORK RAISED 727 00:17:24,533 --> 00:17:25,900 BY, YOU KNOW, OUR AUNT AND 728 00:17:25,900 --> 00:17:28,333 UNCLE, THERE WOULD BE LETTERS 729 00:17:28,333 --> 00:17:29,667 COME, BUT THEY WOULDN'T COME FOR 730 00:17:29,667 --> 00:17:30,433 ME. 731 00:17:30,433 --> 00:17:31,400 AND THEN I BE HURT. 732 00:17:31,400 --> 00:17:32,767 I BE CRYING. 733 00:17:32,767 --> 00:17:34,467 WE'LL GO TO CHURCH, AND THEN I 734 00:17:34,467 --> 00:17:35,600 GO UP, YOU KNOW, TO PRAY. 735 00:17:35,600 --> 00:17:37,100 I'M, LIKE, EIGHT YEARS--EIGHT, 736 00:17:37,100 --> 00:17:37,833 NINE YEARS OLD, AND IT GOT TO 737 00:17:37,833 --> 00:17:38,600 THE POINT WHERE, LIKE, ALL 738 00:17:38,600 --> 00:17:39,467 I WAS THINKING WAS, LIKE, "QUIT 739 00:17:39,467 --> 00:17:40,167 GOING UP THERE, YOU KNOW, 740 00:17:40,167 --> 00:17:41,900 ASKING, YOU KNOW"--ALL I WOULD 741 00:17:41,900 --> 00:17:43,100 ASK IS, "COULD SHE WRITE ME 742 00:17:43,100 --> 00:17:44,267 A LETTER, COULD SHE, YOU KNOW, 743 00:17:44,267 --> 00:17:45,267 SHOW ME LOVE." 744 00:17:45,267 --> 00:17:47,267 I DON'T WANT TO TALK ABOUT THIS. 745 00:17:49,267 --> 00:17:51,200 I WROTE YOU LETTERS, ERICA. 746 00:17:51,200 --> 00:17:52,567 AND I AL--LOOK AT ME. 747 00:17:52,567 --> 00:17:53,467 [crying] I DON'T WANT TO-- 748 00:17:53,467 --> 00:17:54,433 I WROTE YOU LETTERS, 749 00:17:54,433 --> 00:17:56,733 AND I NEVER STOPPED LOVING YOU. 750 00:17:56,733 --> 00:17:58,567 YOU WAS ALWAYS IN MY HEART. 751 00:17:58,567 --> 00:18:00,167 AND I WROTE YOU--I WROTE YOU 752 00:18:00,167 --> 00:18:00,833 LETTERS. 753 00:18:00,833 --> 00:18:02,167 I FELT LIKE YOU WAS ASHAMED-- 754 00:18:02,167 --> 00:18:04,167 THAT YOU WAS ASHAMED OF ME, 755 00:18:04,167 --> 00:18:05,200 BECAUSE I KNOW PEOPLE USED TO 756 00:18:05,200 --> 00:18:07,200 TELL YOU, "OH, YOUR MOTHER'S-- 757 00:18:07,200 --> 00:18:08,400 YOUR MOTHER'S ON DRUGS," WHICH, 758 00:18:08,400 --> 00:18:09,567 IT WAS TRUE. 759 00:18:09,567 --> 00:18:11,067 I'M NOT IN DENIAL. 760 00:18:11,067 --> 00:18:12,233 I'M NOT PROUD OF IT, 761 00:18:12,233 --> 00:18:13,667 BUT IT'S THE TRUTH. 762 00:18:13,667 --> 00:18:15,433 AND I CAN'T CHANGE THE TRUTH. 763 00:18:15,433 --> 00:18:17,400 ME GOING THROUGH THE UPS AND 764 00:18:17,400 --> 00:18:18,867 DOWNS AND, YOU KNOW, THE TRIALS 765 00:18:18,867 --> 00:18:20,067 IN THE RELATIONSHIP WITH ME AND 766 00:18:20,067 --> 00:18:21,167 MY MOM JUST MADE ME A BETTER 767 00:18:21,167 --> 00:18:22,567 PERSON, MADE ME, HELL, 768 00:18:22,567 --> 00:18:23,900 THE MOTHER I AM TODAY. 769 00:18:23,900 --> 00:18:24,767 AND I FEEL LIKE I'M A DAMN 770 00:18:24,767 --> 00:18:25,700 GOOD MOTHER. 771 00:18:25,700 --> 00:18:26,833 BUT I NEVER STOPPED LOVING 772 00:18:26,833 --> 00:18:28,267 YOU. 773 00:18:28,267 --> 00:18:29,333 NEVER. 774 00:18:29,333 --> 00:18:30,833 DO YOU FORGIVE ME? 775 00:18:30,833 --> 00:18:31,767 YEAH, I FORGIVE YOU. 776 00:18:31,767 --> 00:18:32,867 DO YOU REALLY LOVE ME? 777 00:18:32,867 --> 00:18:33,567 MM-HMM. 778 00:18:33,567 --> 00:18:35,567 I LOVE YOU TOO. 779 00:18:35,567 --> 00:18:37,567 CAN I HAVE A HUG? 780 00:18:43,867 --> 00:18:46,200 I HAVE PRESENTED SOME 781 00:18:46,200 --> 00:18:47,800 PAPERWORK FOR YOU. 782 00:18:47,800 --> 00:18:48,900 [chuckles] 783 00:18:48,900 --> 00:18:49,867 20%? 784 00:18:49,867 --> 00:18:52,067 LET'S GO AGAIN! 785 00:18:52,067 --> 00:18:53,100 AND ACTION! 786 00:18:53,100 --> 00:18:53,700 WHY ARE YOU LATE? 787 00:18:53,700 --> 00:18:54,733 WHAT IS THE [bleep] ISSUE? 788 00:18:54,733 --> 00:18:56,467 I'M HERE, BUT I'M REALLY NOT 789 00:18:56,467 --> 00:18:58,800 HERE, AND ME AND YOU AIN'T HERE. 790 00:19:04,567 --> 00:19:05,567 [pensive hip-hop music] 791 00:19:05,567 --> 00:19:11,467 ♪ 792 00:19:11,467 --> 00:19:13,433 THIS IS CUTE. 793 00:19:13,433 --> 00:19:14,200 CUTE? 794 00:19:14,200 --> 00:19:15,333 CUTE IS FOR BABIES. 795 00:19:15,333 --> 00:19:16,067 OKAY. 796 00:19:16,067 --> 00:19:16,800 THIS IS SEXY. 797 00:19:16,800 --> 00:19:17,600 IT'S SEXY. 798 00:19:17,600 --> 00:19:18,567 IT IS. 799 00:19:18,567 --> 00:19:19,767 GROWN AND SEXY. 800 00:19:19,767 --> 00:19:20,833 IT'S GROWN AND SEXY. 801 00:19:20,833 --> 00:19:22,733 GOT YOU A BOTTLE. 802 00:19:22,733 --> 00:19:23,700 [laughs] 803 00:19:23,700 --> 00:19:25,367 STEVIE'S BEEN REAL SWEET SINCE 804 00:19:25,367 --> 00:19:26,367 THE OTHER NIGHT. 805 00:19:26,367 --> 00:19:27,167 BUT I'VE BEEN THROUGH 806 00:19:27,167 --> 00:19:28,667 THIS BEFORE. 807 00:19:28,667 --> 00:19:30,067 AND I GOT A SURPRISE IN STORE 808 00:19:30,067 --> 00:19:30,800 FOR HIM. 809 00:19:30,800 --> 00:19:33,633 I HAVE PRESENTED SOME PAPERWORK 810 00:19:33,633 --> 00:19:34,833 FOR YOU. 811 00:19:34,833 --> 00:19:36,700 [chuckles] 812 00:19:36,700 --> 00:19:39,367 [laughs] 813 00:19:39,367 --> 00:19:40,767 I'D LIKE YOU TO READ OVER IT 814 00:19:40,767 --> 00:19:41,433 CAREFULLY. 815 00:19:41,433 --> 00:19:43,300 OH, [bleep]. 816 00:19:43,300 --> 00:19:44,533 IS THIS REAL RIGHT HERE? 817 00:19:44,533 --> 00:19:46,367 THAT'S--YES, IT IS. 818 00:19:46,367 --> 00:19:47,667 I WOULD LIKE TO BE PARTNERS 819 00:19:47,667 --> 00:19:49,467 WITH YOU. 820 00:19:49,467 --> 00:19:50,667 20%? 821 00:19:50,667 --> 00:19:51,433 20%. 822 00:19:51,433 --> 00:19:52,733 [laughs] 823 00:19:52,733 --> 00:19:54,367 BUT HOLD ON. 824 00:19:54,367 --> 00:19:55,267 YOU DIDN'T READ. 825 00:19:55,267 --> 00:19:56,400 WE GOT PAGES HERE TO READ. 826 00:19:56,400 --> 00:19:58,400 YOU DIDN'T READ. 827 00:20:01,833 --> 00:20:04,800 WHO DREW THIS UP? 828 00:20:04,800 --> 00:20:07,067 MY LAWYER. 829 00:20:07,067 --> 00:20:08,167 YOU WILIN'. 830 00:20:08,167 --> 00:20:09,833 I KNEW HE WAS GONNA BUCK, 831 00:20:09,833 --> 00:20:11,200 BUT IT'S A LOT LESS THAN 832 00:20:11,200 --> 00:20:13,400 THE 50% I SHOULD BE GETTING 833 00:20:13,400 --> 00:20:14,167 FOR PUTTING UP WITH HIS 834 00:20:14,167 --> 00:20:15,233 BULL[bleep]. 835 00:20:15,233 --> 00:20:18,533 I WOULD LIKE TO TAKE INTEREST IN 836 00:20:18,533 --> 00:20:19,200 YOUR BUSINESS. 837 00:20:19,200 --> 00:20:20,667 I KNOW YOU'RE STARTING A LOT OF 838 00:20:20,667 --> 00:20:21,733 NEW PROJECTS. 839 00:20:21,733 --> 00:20:22,967 I KNOW YOU'RE WORKING WITH A LOT 840 00:20:22,967 --> 00:20:24,467 OF NEW ARTISTS, AND I WANT TO 841 00:20:24,467 --> 00:20:25,700 HELP YOU WITH IT. 842 00:20:25,700 --> 00:20:27,333 BUT I'M NOT GIVING UP 20%. 843 00:20:27,333 --> 00:20:28,333 HOW ABOUT 10%? 844 00:20:28,333 --> 00:20:29,000 10%? 845 00:20:29,000 --> 00:20:29,667 10%. 846 00:20:29,667 --> 00:20:30,767 THAT'S BULL[bleep]. 847 00:20:30,767 --> 00:20:32,133 THAT'S--THAT'S--NO. 848 00:20:32,133 --> 00:20:32,867 THAT'S WHAT MANAGERS GET. 849 00:20:32,867 --> 00:20:33,733 THAT'S WHAT I'M GONNA BE. 850 00:20:33,733 --> 00:20:34,433 THAT'S WHAT DENNY WAS 851 00:20:34,433 --> 00:20:35,133 GETTING. 852 00:20:35,133 --> 00:20:36,133 SO DO YOU WANT ME TO BE 853 00:20:36,133 --> 00:20:37,500 INVOLVED OR YOU DON'T? 854 00:20:37,500 --> 00:20:38,200 OKAY, THIS IS, LIKE, 855 00:20:38,200 --> 00:20:38,867 NEW TO ME. 856 00:20:38,867 --> 00:20:40,867 YOU NEVER CAME AT ME LIKE THIS. 857 00:20:40,867 --> 00:20:42,033 READ IT OVER. 858 00:20:42,033 --> 00:20:44,300 TAKE IT TO YOUR LAWYER. 859 00:20:44,300 --> 00:20:46,200 BUT THIS WHAT I WANT TO DO. 860 00:20:46,200 --> 00:20:47,000 SO YOU'RE REALLY SERIOUS 861 00:20:47,000 --> 00:20:47,667 ABOUT BEING A PART OF 862 00:20:47,667 --> 00:20:48,333 MY BUSINESS. 863 00:20:48,333 --> 00:20:49,000 I'M SERIOUS. 864 00:20:49,000 --> 00:20:49,667 YES. 865 00:20:49,667 --> 00:20:50,533 I JUST WANT TO MAKE YOU 866 00:20:50,533 --> 00:20:51,800 SMILE AGAIN. 867 00:20:51,800 --> 00:20:53,000 I'LL DO WHATEVER I GOT TO 868 00:20:53,000 --> 00:20:55,033 TO MAKE SURE YOU'RE MINE. 869 00:20:55,033 --> 00:20:57,500 I WANT TO SING YOU A SONG. 870 00:20:57,500 --> 00:21:00,067 RIGHT NOW? 871 00:21:00,067 --> 00:21:01,067 YEAH. 872 00:21:01,067 --> 00:21:01,767 WHEN MIMI HIT ME WITH 873 00:21:01,767 --> 00:21:03,067 THE PAPERWORK, I WAS LIKE, 874 00:21:03,067 --> 00:21:05,667 "WOW!" 875 00:21:05,667 --> 00:21:06,967 THAT'S TOUGH. 876 00:21:06,967 --> 00:21:07,967 BUT SHE'S BEEN DOWN FOR 877 00:21:07,967 --> 00:21:09,633 A LONG TIME, SO I GOT TO SHOW 878 00:21:09,633 --> 00:21:11,200 HER THAT I LOVE HER AND I CARE 879 00:21:11,200 --> 00:21:12,567 ABOUT HER, AND I WANT TO SEE HER 880 00:21:12,567 --> 00:21:14,667 EAT TOO, SO WE'LL FIGURE 881 00:21:14,667 --> 00:21:15,800 SOMETHING OUT. 882 00:21:15,800 --> 00:21:16,800 [romantic piano melody] 883 00:21:16,800 --> 00:21:29,733 ♪ GIRL, I HOPE AND PRAY 884 00:21:29,733 --> 00:21:33,133 ♪ THAT LOVE TREATS YOU FAIR 885 00:21:33,133 --> 00:21:38,433 ♪ BECAUSE THE ANGELS SENT YOU 886 00:21:38,433 --> 00:21:44,600 ♪ PLEASE DON'T GO NOWHERE ♪ 887 00:21:44,600 --> 00:21:46,833 ♪ OOH, BUT IF YOU DO 888 00:21:46,833 --> 00:21:49,233 ♪ JUST KNOW I'LL FOLLOW YOU ♪ 889 00:21:49,233 --> 00:21:50,233 ♪ 'CAUSE YOUR LOVE CAN ♪ 890 00:21:50,233 --> 00:21:53,633 ♪ NEVER BE REPLACED 891 00:21:53,633 --> 00:21:56,233 ♪ AND CAN'T NOBODY BUT YOU ♪ 892 00:21:56,233 --> 00:21:59,300 ♪ KEEP A SMILE ON MY FACE 893 00:21:59,300 --> 00:22:02,700 ♪ WHOA 894 00:22:02,700 --> 00:22:07,333 ♪ 'CAUSE SHE WAS WHISPERIN' ♪ 895 00:22:07,333 --> 00:22:10,667 ♪ SWEET NOTHINGS 896 00:22:10,667 --> 00:22:11,967 ♪ 897 00:22:11,967 --> 00:22:13,700 THE TRUTH IS, I STILL LOVE 898 00:22:13,700 --> 00:22:15,600 THIS MAN, EVEN THOUGH HE TAKES 899 00:22:15,600 --> 00:22:17,567 EVERY OPPORTUNITY TO MESS 900 00:22:17,567 --> 00:22:18,967 THIS RELATIONSHIP UP. 901 00:22:18,967 --> 00:22:19,633 I LOVE YOU. 902 00:22:19,633 --> 00:22:21,633 I LOVE YOU TOO. 903 00:22:24,767 --> 00:22:28,133 LET'S GO AGAIN! 904 00:22:28,133 --> 00:22:30,300 AND ACTION! 905 00:22:30,300 --> 00:22:31,333 YO. 906 00:22:31,333 --> 00:22:32,800 WHERE ARE YOU? 907 00:22:32,800 --> 00:22:34,300 IT'S YOUR TIME TO BE SHOOTING. 908 00:22:34,300 --> 00:22:35,867 YOU'RE NOWHERE TO BE FOUND. 909 00:22:35,867 --> 00:22:36,933 WHAT ARE YOU DOING? 910 00:22:36,933 --> 00:22:39,067 HIT ME BACK. 911 00:22:39,067 --> 00:22:41,533 AND CUT! 912 00:22:41,533 --> 00:22:43,300 WHERE IS THIS GIRL AT? 913 00:22:43,300 --> 00:22:44,467 A LOT IS AT STAKE. 914 00:22:44,467 --> 00:22:45,967 THIS VIDEO IS ACTUALLY THE SETUP 915 00:22:45,967 --> 00:22:47,433 TO THE BOSS CHICK ALBUM. 916 00:22:47,433 --> 00:22:48,500 THIS IS WHAT YOU'RE GONNA SEE 917 00:22:48,500 --> 00:22:50,300 FIRST, SO THIS HAS TO HAPPEN 918 00:22:50,300 --> 00:22:51,400 THE RIGHT WAY. 919 00:22:51,400 --> 00:22:52,400 HEY. 920 00:22:52,400 --> 00:22:53,133 WHY ARE YOU SO LATE? 921 00:22:53,133 --> 00:22:54,400 WHAT THE [bleep] IS THE PROBLEM? 922 00:22:54,400 --> 00:22:55,767 WHAT YOU MEAN, WHY AM I LATE? 923 00:22:55,767 --> 00:22:56,633 YOU'RE TWO HOURS LATE. 924 00:22:56,633 --> 00:22:57,433 YOU WERE SUPPOSED TO BE HERE 925 00:22:57,433 --> 00:22:59,267 AT 11:00. 926 00:22:59,267 --> 00:23:00,733 THIS [bleep] COST MONEY, SO IF 927 00:23:00,733 --> 00:23:02,067 WE GONNA BE SPENDING MORE MONEY 928 00:23:02,067 --> 00:23:03,333 BEING HERE FOR ANOTHER TWO 929 00:23:03,333 --> 00:23:04,567 HOURS--LIKE, WHY ARE YOU LATE? 930 00:23:04,567 --> 00:23:05,600 WHAT IS THE [bleep] ISSUE? 931 00:23:05,600 --> 00:23:07,233 I'M HERE, BUT I'M REALLY NOT 932 00:23:07,233 --> 00:23:09,633 HERE, AND ME AND YOU AIN'T HERE, 933 00:23:09,633 --> 00:23:10,767 OKAY? 934 00:23:10,767 --> 00:23:12,100 DID YOU KNOW WHERE I WAS AT? 935 00:23:12,100 --> 00:23:13,267 PICKING UP THE LAST LOAD BIN-- 936 00:23:13,267 --> 00:23:14,433 OF THE CLOTHES BIN THAT I DON'T 937 00:23:14,433 --> 00:23:16,500 HAVE A [bleep] STYLIST, 938 00:23:16,500 --> 00:23:18,333 AND I HAVE TO STYLE MYSELF. 939 00:23:18,333 --> 00:23:19,867 SO DO WHAT A MOTHER[bleep] 940 00:23:19,867 --> 00:23:21,133 RECORD LABEL'S SUPPOSED TO DO, 941 00:23:21,133 --> 00:23:22,133 HOW ABOUT THAT? 942 00:23:22,133 --> 00:23:23,467 FIRST, HE CUT THE STYLIST FROM 943 00:23:23,467 --> 00:23:24,733 THE BUDGET AND THEN YELLED AT ME 944 00:23:24,733 --> 00:23:25,900 FOR BEING AN ARTIST AND 945 00:23:25,900 --> 00:23:26,967 THE STYLIST, AND I'M DOING 946 00:23:26,967 --> 00:23:27,733 TWO JOBS? 947 00:23:27,733 --> 00:23:28,733 [scoffs] 948 00:23:28,733 --> 00:23:29,467 WHAT THE [bleep] IS ALL 949 00:23:29,467 --> 00:23:30,133 THE ATTITUDE FOR? 950 00:23:30,133 --> 00:23:30,967 YOU ACT LIKE YOU DOING [bleep] 951 00:23:30,967 --> 00:23:31,667 FOR ME. 952 00:23:31,667 --> 00:23:32,933 I'M PISSED. 953 00:23:32,933 --> 00:23:34,200 WHAT--WHAT YOU MEAN, I ACT LIKE 954 00:23:34,200 --> 00:23:35,133 I'M DOING [bleep] FOR YOU? 955 00:23:35,133 --> 00:23:35,767 ARE YOU SAYING YOU ONLY DO 956 00:23:35,767 --> 00:23:36,500 THINGS FOR ME? 957 00:23:36,500 --> 00:23:37,233 I AIN'T TALKING ABOUT 958 00:23:37,233 --> 00:23:38,067 PERSONAL LIFE. 959 00:23:38,067 --> 00:23:38,900 THIS IS OUR [bleep] BUSINESS. 960 00:23:38,900 --> 00:23:39,700 ALL THAT [bleep] GOT DAMN 961 00:23:39,700 --> 00:23:40,367 MASHED TOGETHER. 962 00:23:40,367 --> 00:23:41,167 YEAH, BUT THAT [bleep] IS 963 00:23:41,167 --> 00:23:41,867 DIFFERENT. 964 00:23:41,867 --> 00:23:42,600 NAH, IT'S ALL MASHING 965 00:23:42,600 --> 00:23:43,767 TOGETHER RIGHT ABOUT NOW. 966 00:23:43,767 --> 00:23:45,667 DON'T FORGET: I'M A MAMA. 967 00:23:45,667 --> 00:23:46,333 KY'S SCHOOL [bleep] IS 968 00:23:46,333 --> 00:23:48,167 GOING ON. 969 00:23:48,167 --> 00:23:49,833 IT'S A LOT ON MY [bleep] PLATE 970 00:23:49,833 --> 00:23:50,500 AS WELL. 971 00:23:50,500 --> 00:23:52,133 AND I HOPE YOU UNDERSTAND THAT, 972 00:23:52,133 --> 00:23:53,933 THAT IT [bleep] UP MY VIBE WHEN 973 00:23:53,933 --> 00:23:55,200 I HAVE TO SIT HERE AND ARGUE 974 00:23:55,200 --> 00:23:56,133 WITH YOU ABOUT THIS [bleep], 975 00:23:56,133 --> 00:23:57,233 AND THEN I GOT TO GO GET IN 976 00:23:57,233 --> 00:23:58,300 FRONT OF THE CAMERA AND ACT LIKE 977 00:23:58,300 --> 00:23:59,133 EVERYTHING ALREADY GODDAMN 978 00:23:59,133 --> 00:23:59,800 HONKEY DORY. 979 00:23:59,800 --> 00:24:00,667 WHEN EVERYBODY'S SAYING, 980 00:24:00,667 --> 00:24:01,333 "WHERE'S RASHEEDA? 981 00:24:01,333 --> 00:24:02,067 IT'S TWO HOURS. 982 00:24:02,067 --> 00:24:02,733 THE CLOCK IS RUNNING." 983 00:24:02,733 --> 00:24:03,600 YOU KNOW WHAT? GUESS WHAT. 984 00:24:03,600 --> 00:24:04,800 I GET HERE WHEN I MOTHER[bleep] 985 00:24:04,800 --> 00:24:06,200 GET HERE--HOW ABOUT THAT? 986 00:24:06,200 --> 00:24:07,800 I GOT [bleep] TO DO, AND IF WE 987 00:24:07,800 --> 00:24:08,900 GONNA MAKE THIS [bleep] HAPPEN, 988 00:24:08,900 --> 00:24:09,800 LET'S [bleep] MAKE IT HAPPEN, 989 00:24:09,800 --> 00:24:11,300 BECAUSE I'M THE ONE WHO GOT TO 990 00:24:11,300 --> 00:24:12,333 SIT IN FRONT OF THE CAMERA AND 991 00:24:12,333 --> 00:24:13,667 WORK ALL DAMN DAY WHILE YOU SIT 992 00:24:13,667 --> 00:24:14,833 AROUND AND FIDDLE-FADDLE ON YOUR 993 00:24:14,833 --> 00:24:15,500 [bleep] PHONE. 994 00:24:15,500 --> 00:24:16,300 THAT'S YOUR [bleep] JOB. 995 00:24:16,300 --> 00:24:16,967 I DO MY PART. 996 00:24:16,967 --> 00:24:17,633 YOU KNOW, WHATEVER. 997 00:24:17,633 --> 00:24:18,767 RASHEEDA DOESN'T GET THAT SHE 998 00:24:18,767 --> 00:24:20,067 PUTS THIS WHOLE PROJECT IN 999 00:24:20,067 --> 00:24:21,967 JEOPARDY WHEN WE GO OVER BUDGET. 1000 00:24:21,967 --> 00:24:23,067 IF THIS VIDEO DON'T COME 1001 00:24:23,067 --> 00:24:25,067 TOGETHER, I MIGHT HAVE TO JUST 1002 00:24:25,067 --> 00:24:27,067 RETHINK MY ROLE AS THE MANAGER. 1003 00:24:28,900 --> 00:24:29,967 THE WAY IT WORKS IS LIKE 1004 00:24:29,967 --> 00:24:31,367 THIS: YES, I'M THE ARTIST, 1005 00:24:31,367 --> 00:24:32,267 BUT YOU ARE THE LABEL. 1006 00:24:32,267 --> 00:24:34,167 TOGETHER IT GOES HAND IN HAND. 1007 00:24:34,167 --> 00:24:35,733 AND IT PISSES ME OFF THAT I GOT 1008 00:24:35,733 --> 00:24:36,900 TO SIT HERE AND ARGUE WITH YOU 1009 00:24:36,900 --> 00:24:38,167 AT A TIME WHERE I NEED TO STEP 1010 00:24:38,167 --> 00:24:39,333 IN FRONT OF THE CAMERA AND BE 1011 00:24:39,333 --> 00:24:40,600 BEAUTIFUL AND GO OUT HERE AND GO 1012 00:24:40,600 --> 00:24:41,867 HAM AND DO WHAT I NEED TO DO, 1013 00:24:41,867 --> 00:24:44,300 AND YOU WANT TO PISS ME OFF. 1014 00:24:44,300 --> 00:24:45,133 ACTION! 1015 00:24:45,133 --> 00:24:46,067 * PUT IT ON AND MAKE HIM 1016 00:24:46,067 --> 00:24:48,067 ♪ WANT TO MARRY ME 1017 00:24:48,067 --> 00:24:49,133 ♪ PUT IT ON AND MAKE HIM 1018 00:24:49,133 --> 00:24:50,400 ♪ WANT TO MARRY ME 1019 00:24:50,400 --> 00:24:51,933 ♪ I PUT IT ON AND MAKE HIM 1020 00:24:51,933 --> 00:24:52,900 ♪ WANT TO MARRY ME 1021 00:24:52,900 --> 00:24:53,900 [coy hip-hop music] 1022 00:24:53,900 --> 00:24:57,200 ♪ 1023 00:24:57,200 --> 00:24:58,667 [knocking on door] 1024 00:24:58,667 --> 00:24:59,333 HEY! 1025 00:24:59,333 --> 00:25:00,367 HEY, BABY! 1026 00:25:00,367 --> 00:25:01,300 OH, MY GOSH. 1027 00:25:01,300 --> 00:25:02,933 YOU LOOK BEAUTIFUL. 1028 00:25:02,933 --> 00:25:03,800 YOU LOOK GORGEOUS. 1029 00:25:03,800 --> 00:25:05,933 HEY, SO DO YOU. 1030 00:25:05,933 --> 00:25:07,300 KARLIE CALLS ME OVER SO WE CAN 1031 00:25:07,300 --> 00:25:08,100 CATCH UP. 1032 00:25:08,100 --> 00:25:09,367 WE USED TO RUN AROUND WHEN 1033 00:25:09,367 --> 00:25:11,533 I LIVED IN L.A. TEN YEARS AGO, 1034 00:25:11,533 --> 00:25:12,733 BUT K. MICHELLE'S BIRTHDAY PARTY 1035 00:25:12,733 --> 00:25:14,300 IS THE FIRST TIME I'VE SEEN HER 1036 00:25:14,300 --> 00:25:15,500 IN YEARS. 1037 00:25:15,500 --> 00:25:16,667 YOU WANT SOME TEA? 1038 00:25:16,667 --> 00:25:18,467 I'VE GOT SOME CHAI TEA. 1039 00:25:18,467 --> 00:25:19,300 TEA IS GREAT. 1040 00:25:19,300 --> 00:25:20,067 OKAY. 1041 00:25:20,067 --> 00:25:20,967 [water pouring] 1042 00:25:20,967 --> 00:25:22,167 THANK YOU, DEAR. 1043 00:25:22,167 --> 00:25:23,400 I WANT TO APOLOGIZE TO YOU 1044 00:25:23,400 --> 00:25:25,367 ABOUT WHAT HAPPENED. 1045 00:25:25,367 --> 00:25:27,133 IF I WOULD'VE KNOWN YOU WERE 1046 00:25:27,133 --> 00:25:29,367 STEVIE J.'S GIRL... 1047 00:25:29,367 --> 00:25:30,133 I MEAN, THERE'S NO NEED 1048 00:25:30,133 --> 00:25:30,900 TO APOLOGIZE. 1049 00:25:30,900 --> 00:25:31,600 YOU DIDN'T KNOW. 1050 00:25:31,600 --> 00:25:32,567 YOU KNOW, THE CHEMISTRY THAT 1051 00:25:32,567 --> 00:25:34,133 I SAW BETWEEN THEM, I WAS LIKE, 1052 00:25:34,133 --> 00:25:36,233 "OH. 1053 00:25:36,233 --> 00:25:37,367 CLEARLY, Y'ALL [bleep]." 1054 00:25:37,367 --> 00:25:38,233 COME ON, NOW. 1055 00:25:38,233 --> 00:25:39,167 YOU KNOW, I'M KEEPING IT REAL 1056 00:25:39,167 --> 00:25:39,833 WITH YOU. 1057 00:25:39,833 --> 00:25:41,067 THERE WAS A CHEMISTRY THERE. 1058 00:25:41,067 --> 00:25:42,133 BUT THEN SHE TOLD ME THE OTHER 1059 00:25:42,133 --> 00:25:43,833 DAY AS I SEEN HER IN THE STUDIO, 1060 00:25:43,833 --> 00:25:46,133 "OH, YOU KNOW, WE'RE NOT 1061 00:25:46,133 --> 00:25:47,433 [bleep], DA, DA, DA, DA, DA." 1062 00:25:47,433 --> 00:25:48,300 I WAS LIKE, "BITCH, LOOK ME 1063 00:25:48,300 --> 00:25:50,333 IN MY EYE. 1064 00:25:50,333 --> 00:25:51,267 YOU'RE NOT [bleep]? 1065 00:25:51,267 --> 00:25:52,133 COME ON, NOW. 1066 00:25:52,133 --> 00:25:53,567 WHY ARE YOU CALLING YOUR MANAGER 1067 00:25:53,567 --> 00:25:54,633 DADDY?" 1068 00:25:54,633 --> 00:25:55,767 I WAS LIKE, "I DON'T CALL MY 1069 00:25:55,767 --> 00:25:56,433 MANAGER DADDY." 1070 00:25:56,433 --> 00:25:57,667 I WOULD NEVER CALL MY MANAGER 1071 00:25:57,667 --> 00:25:58,533 DADDY. 1072 00:25:58,533 --> 00:26:00,600 DO YOU--YOU HONESTLY THINK 1073 00:26:00,600 --> 00:26:01,433 THEY'RE SLEEPING WITH 1074 00:26:01,433 --> 00:26:02,100 EACH OTHER? 1075 00:26:02,100 --> 00:26:02,967 [claps] 1076 00:26:02,967 --> 00:26:03,800 NO QUESTION? 1077 00:26:03,800 --> 00:26:04,967 RIGHT. 1078 00:26:04,967 --> 00:26:05,733 NO QUESTION. 1079 00:26:05,733 --> 00:26:06,533 SO WHAT'S YOUR RELATIONSHIP 1080 00:26:06,533 --> 00:26:07,200 WITH HIM? 1081 00:26:07,200 --> 00:26:07,867 Y'ALL TOGETHER? 1082 00:26:07,867 --> 00:26:08,533 Y'ALL NOT? 1083 00:26:08,533 --> 00:26:09,400 YES. 1084 00:26:09,400 --> 00:26:11,300 HAVE BEEN, YES. 1085 00:26:11,300 --> 00:26:12,200 WE'RE TOGETHER. 1086 00:26:12,200 --> 00:26:13,567 WE HAVE A TWO-YEAR-OLD. 1087 00:26:13,567 --> 00:26:14,333 YES. 1088 00:26:14,333 --> 00:26:15,067 WOW. 1089 00:26:15,067 --> 00:26:15,967 IS HE DENYING THE SITUATION? 1090 00:26:15,967 --> 00:26:17,533 OF COURSE. 1091 00:26:17,533 --> 00:26:18,267 OKAY. 1092 00:26:18,267 --> 00:26:19,267 ALL DAY. 1093 00:26:19,267 --> 00:26:20,133 IT SOUNDS LIKE YOU HAVE 1094 00:26:20,133 --> 00:26:21,800 THE OPTION TO BE LIKE, "LOOK, 1095 00:26:21,800 --> 00:26:23,600 CUT THAT BITCH OFF." 1096 00:26:23,600 --> 00:26:25,067 I WANT TO WORK WITH HIM. 1097 00:26:25,067 --> 00:26:25,867 YOU GOT TO LOVE 1098 00:26:25,867 --> 00:26:27,133 THAT KARLIE REDD. 1099 00:26:27,133 --> 00:26:28,700 SHE TELLS ME THAT STEVIE J. 1100 00:26:28,700 --> 00:26:30,200 AND JOSELINE ARE [bleep] 1101 00:26:30,200 --> 00:26:31,700 AND THEN TURNS AROUND AND ASKS 1102 00:26:31,700 --> 00:26:34,467 ME, CAN SHE WORK WITH HIM? 1103 00:26:34,467 --> 00:26:36,533 SHE IS LIKE, "YOU GONNA WORK 1104 00:26:36,533 --> 00:26:37,533 WITH HIM; I'M FIRST. 1105 00:26:37,533 --> 00:26:38,700 YOU KNOW, I--I'M NUMBER ONE 1106 00:26:38,700 --> 00:26:41,067 IN HIS--HIS ROSTER RIGHT NOW. 1107 00:26:41,067 --> 00:26:42,567 I'M MAIN PRIORITY, 1108 00:26:42,567 --> 00:26:44,200 NUMBER UNO, NUMERO ONE." 1109 00:26:44,200 --> 00:26:46,067 THE WAY SHE PUT IT IS LIKE 1110 00:26:46,067 --> 00:26:46,767 SHE THE BOSS. 1111 00:26:46,767 --> 00:26:49,067 SHE'S NOT RUNNING [bleep]. 1112 00:26:49,067 --> 00:26:51,500 MATTER OF FACT, SHE WORKS 1113 00:26:51,500 --> 00:26:52,900 FOR BOTH OF US. 1114 00:26:52,900 --> 00:26:56,200 I'M GETTING 10% OUT OF HER 1115 00:26:56,200 --> 00:26:58,233 FOR THE LIFE OF HER. 1116 00:26:58,233 --> 00:26:59,767 WOW. 1117 00:26:59,767 --> 00:27:01,200 AND HIM AND I ARE GONNA 1118 00:27:01,200 --> 00:27:02,067 PARTNER UP. 1119 00:27:02,067 --> 00:27:02,900 YOU GO! 1120 00:27:02,900 --> 00:27:03,900 WE'RE PARTNERS. 1121 00:27:03,900 --> 00:27:05,067 I'M GLAD I'VE BEEN TALKING TO 1122 00:27:05,067 --> 00:27:07,967 THE BOSS, BECAUSE I NEED A HIT. 1123 00:27:07,967 --> 00:27:09,200 IF KARLIE WANTS TO WORK WITH 1124 00:27:09,200 --> 00:27:10,333 STEVIE, I DON'T WANT JOSELINE 1125 00:27:10,333 --> 00:27:11,667 STANDING IN THE WAY. 1126 00:27:11,667 --> 00:27:15,300 NOW THAT HIS MONEY IS OUR MONEY, 1127 00:27:15,300 --> 00:27:16,567 I'M GONNA MAKE SURE WE'RE GOING 1128 00:27:16,567 --> 00:27:18,767 AFTER EVERYTHING WE CAN GET. 1129 00:27:18,767 --> 00:27:19,567 TOAST TO PARTNER. 1130 00:27:19,567 --> 00:27:20,233 [laughs] 1131 00:27:20,233 --> 00:27:21,333 TEA TOAST. 1132 00:27:21,333 --> 00:27:22,300 PARTNER! 1133 00:27:22,300 --> 00:27:23,267 I LIKE THAT. 1134 00:27:23,267 --> 00:27:25,467 MM-HMM. 1135 00:27:25,467 --> 00:27:27,567 KARLIE CAME AND APPROACHED ME 1136 00:27:27,567 --> 00:27:29,233 ABOUT WORKING WITH YOU. 1137 00:27:29,233 --> 00:27:30,267 RIGHT NOW IN MY EYES, 1138 00:27:30,267 --> 00:27:31,167 SHE'S A RAT. 1139 00:27:31,167 --> 00:27:32,733 I JUST WANT TO MAKE SURE WE 1140 00:27:32,733 --> 00:27:34,067 ON THE SAME PAGE AS FAR AS 1141 00:27:34,067 --> 00:27:34,867 MOVING FORWARD IN OUR 1142 00:27:34,867 --> 00:27:35,600 RELATIONSHIP. 1143 00:27:35,600 --> 00:27:37,167 I GOTTA GET MY OWN SPOT. 1144 00:27:37,167 --> 00:27:39,167 YOU FEEL ME? 1145 00:27:43,567 --> 00:27:44,567 [twinkling electronic music] 1146 00:27:44,567 --> 00:27:47,567 ♪ 1147 00:27:47,567 --> 00:27:48,700 [piano chord plays] 1148 00:27:48,700 --> 00:27:49,733 IT START, LIKE, KIND OF 1149 00:27:49,733 --> 00:27:51,200 A SLOW MELODY GOING INTO, LIKE-- 1150 00:27:51,200 --> 00:27:51,933 YOU KNOW WHAT I MEAN? 1151 00:27:51,933 --> 00:27:52,600 HOW YOU START IT OFF SLOW 1152 00:27:52,600 --> 00:27:53,267 WITH THE... 1153 00:27:53,267 --> 00:27:54,067 [plays piano chords] 1154 00:27:54,067 --> 00:27:55,067 [scatting] 1155 00:27:55,067 --> 00:27:59,067 ♪ 1156 00:27:59,067 --> 00:28:00,067 I HAVE SO MUCH LOVE 1157 00:28:00,067 --> 00:28:01,167 FOR STEVIE. 1158 00:28:01,167 --> 00:28:03,533 I OWE HIM SO MUCH. 1159 00:28:03,533 --> 00:28:05,100 EVERYTHING THAT I DO AND I WILL 1160 00:28:05,100 --> 00:28:06,967 DO, IT WILL BE BECAUSE OF HIM, 1161 00:28:06,967 --> 00:28:08,200 AND, YOU KNOW, HE GET REWARDED 1162 00:28:08,200 --> 00:28:08,800 FOR THAT. 1163 00:28:08,800 --> 00:28:09,500 HE WILL GET REWARDED. 1164 00:28:09,500 --> 00:28:10,300 HE WILL GET WHAT HE DESERVES 1165 00:28:10,300 --> 00:28:10,967 FROM THAT. 1166 00:28:10,967 --> 00:28:11,633 I LOVE STEVIE. 1167 00:28:11,633 --> 00:28:12,533 EVERYBODY ELSE, I REALLY DON'T 1168 00:28:12,533 --> 00:28:13,567 GIVE A [bleep] ABOUT. 1169 00:28:13,567 --> 00:28:14,567 [plays piano chord] 1170 00:28:14,567 --> 00:28:15,400 SOMETHING LIKE THAT. 1171 00:28:15,400 --> 00:28:16,100 [sighs] 1172 00:28:16,100 --> 00:28:17,567 I HAVE SOME OTHER THINGS TOO 1173 00:28:17,567 --> 00:28:18,300 THAT I WANT TO TALK TO YOU 1174 00:28:18,300 --> 00:28:19,400 ABOUT. 1175 00:28:19,400 --> 00:28:21,933 LIKE WHAT? 1176 00:28:21,933 --> 00:28:25,800 [sighs] 1177 00:28:25,800 --> 00:28:26,933 [hisses] 1178 00:28:26,933 --> 00:28:28,200 NO FAIRY GODMOTHER 1179 00:28:28,200 --> 00:28:29,867 THIS MONTH. 1180 00:28:29,867 --> 00:28:30,867 [pulsing percussive music] 1181 00:28:30,867 --> 00:28:32,800 ♪ 1182 00:28:32,800 --> 00:28:34,800 HMM? 1183 00:28:37,400 --> 00:28:38,200 I DON'T KNOW IF IT'S 1184 00:28:38,200 --> 00:28:38,867 MY NERVES. 1185 00:28:38,867 --> 00:28:40,333 I DON'T KNOW WHAT'S GOING ON, 1186 00:28:40,333 --> 00:28:41,433 BUT I HAVE TO GO TO A DOCTOR AND 1187 00:28:41,433 --> 00:28:43,233 MAKE SURE THAT EVERYTHING IS 1188 00:28:43,233 --> 00:28:44,067 OKAY WITH ME. 1189 00:28:44,067 --> 00:28:45,067 I DIDN'T GET MY PERIOD 1190 00:28:45,067 --> 00:28:46,533 THIS MONTH. 1191 00:28:46,533 --> 00:28:47,500 I'M JUST SO LATE. 1192 00:28:47,500 --> 00:28:48,633 I'VE JUST BEEN WORKING HARD. 1193 00:28:48,633 --> 00:28:50,267 I'VE BEEN DOING TOO MUCH. 1194 00:28:50,267 --> 00:28:51,933 SO I'M JUST LATE RIGHT NOW. 1195 00:28:51,933 --> 00:28:52,733 SO I DON'T KNOW-- 1196 00:28:52,733 --> 00:28:55,067 HOW LONG--HOW LATE IS YOU? 1197 00:28:55,067 --> 00:28:56,967 LIKE, ALMOST A MONTH. 1198 00:28:56,967 --> 00:28:58,067 HMM. 1199 00:28:58,067 --> 00:28:59,533 THREE WEEKS. 1200 00:28:59,533 --> 00:29:00,467 WHICH ONE IS IT? 1201 00:29:00,467 --> 00:29:01,933 IS IT THREE WEEKS OR IS IT-- 1202 00:29:01,933 --> 00:29:02,733 ALMOST A MONTH. 1203 00:29:02,733 --> 00:29:03,933 THREE WEEKS IS ALMOST A MONTH. 1204 00:29:03,933 --> 00:29:05,633 THREE WEEKS IS 21 DAYS. 1205 00:29:05,633 --> 00:29:06,733 A MONTH IS 30. 1206 00:29:06,733 --> 00:29:08,400 OKAY, WHATEVER YOU WANT-- 1207 00:29:08,400 --> 00:29:10,567 WHICHEVER ONE, 'CAUSE I'M--I-- 1208 00:29:10,567 --> 00:29:11,467 IT AIN'T LIKE I BEEN COUNTING 1209 00:29:11,467 --> 00:29:13,200 EVERY DAY LIKE THAT, ANYWAYS. 1210 00:29:13,200 --> 00:29:14,467 I'M JUST TELLING YOU WHAT I'M-- 1211 00:29:14,467 --> 00:29:15,333 COULD COME UP THERE ON TOP 1212 00:29:15,333 --> 00:29:16,067 OF MY HEAD. 1213 00:29:16,067 --> 00:29:16,867 SO YOU THINK YOU ARE? 1214 00:29:16,867 --> 00:29:17,933 THAT'S WHAT YOU'RE SAYING? 1215 00:29:17,933 --> 00:29:19,600 HOPEFULLY I'M NOT, 'CAUSE-- 1216 00:29:19,600 --> 00:29:21,333 WHAT ELSE IS GOOD? 1217 00:29:21,333 --> 00:29:22,733 WHAT DO YOU MEAN? 1218 00:29:22,733 --> 00:29:23,400 WHAT DO I MEAN? 1219 00:29:23,400 --> 00:29:24,233 WHAT DID I SAY? 1220 00:29:24,233 --> 00:29:25,600 WHAT DO YOU MEAN? 1221 00:29:25,600 --> 00:29:27,600 I'M LIKE, "WHAT ELSE?" 1222 00:29:30,067 --> 00:29:31,067 I'M SAYING WE SHOULDN'T EVEN 1223 00:29:31,067 --> 00:29:35,533 HAVE THIS CONVERSATION, PERIOD. 1224 00:29:35,533 --> 00:29:37,533 [sighs] 1225 00:29:40,200 --> 00:29:43,067 BABY? 1226 00:29:43,067 --> 00:29:44,333 I'M HERE TO BREAK THE NEWS TO 1227 00:29:44,333 --> 00:29:45,767 JOSELINE THAT I'M STEVIE'S 1228 00:29:45,767 --> 00:29:47,233 BUSINESS PARTNER NOW. 1229 00:29:47,233 --> 00:29:48,233 WHAT'S UP, BABY? 1230 00:29:48,233 --> 00:29:48,933 HOW ARE YOU? 1231 00:29:48,933 --> 00:29:50,100 I'M GOOD. 1232 00:29:50,100 --> 00:29:50,767 GOOD. 1233 00:29:50,767 --> 00:29:52,633 I'M OFFICIALLY HER BOSS, 1234 00:29:52,633 --> 00:29:53,333 AND IT'S TIME TO 1235 00:29:53,333 --> 00:29:54,500 GET TO WORK, LADIES. 1236 00:29:54,500 --> 00:29:56,600 AND AS YOU KNOW, JOSELINE, 1237 00:29:56,600 --> 00:29:57,967 STEVIE AND I HAVE BEEN TOGETHER 1238 00:29:57,967 --> 00:29:59,367 A LONG TIME. 1239 00:29:59,367 --> 00:30:00,567 AND I'M TAKING MORE OF 1240 00:30:00,567 --> 00:30:03,300 A POSITION IN WHAT'S GOING ON 1241 00:30:03,300 --> 00:30:04,333 IN THE BUSINESS. 1242 00:30:04,333 --> 00:30:05,867 I'M GONNA BE MORE HANDS-ON AS 1243 00:30:05,867 --> 00:30:07,033 FAR AS THE BUSINESS IS 1244 00:30:07,033 --> 00:30:08,367 CONCERNED. 1245 00:30:08,367 --> 00:30:09,100 MIMI DON'T RUN NOTHING 1246 00:30:09,100 --> 00:30:10,200 OVER HERE. 1247 00:30:10,200 --> 00:30:11,433 AND SHE DON'T RUN NOTHING OVER 1248 00:30:11,433 --> 00:30:12,200 THERE, EITHER. 1249 00:30:12,200 --> 00:30:13,500 SHE AIN'T RUNNING NO SHOTS OVER 1250 00:30:13,500 --> 00:30:14,633 THERE WITH STEVIE. 1251 00:30:14,633 --> 00:30:15,500 WHAT THE HELL IS YOU TALKING 1252 00:30:15,500 --> 00:30:16,200 ABOUT? 1253 00:30:16,200 --> 00:30:17,500 NOTHING'S GONNA CHANGE. 1254 00:30:17,500 --> 00:30:18,800 WHAT IS YOUR FEELING ON 1255 00:30:18,800 --> 00:30:21,033 KARLIE REDD? 1256 00:30:21,033 --> 00:30:23,067 KARLIE CAME AND APPROACHED ME 1257 00:30:23,067 --> 00:30:25,200 ABOUT WORKING WITH YOU. 1258 00:30:25,200 --> 00:30:26,867 WHAT DO YOU FEEL ABOUT THAT? 1259 00:30:26,867 --> 00:30:28,033 RIGHT NOW IN MY EYES, 1260 00:30:28,033 --> 00:30:29,600 SHE'S A RAT. 1261 00:30:29,600 --> 00:30:30,800 OKAY. 1262 00:30:30,800 --> 00:30:32,900 SO, YOU KNOW, I'M A DOG, 1263 00:30:32,900 --> 00:30:34,533 SO... 1264 00:30:34,533 --> 00:30:36,200 I SET THE CAT ON THE RAT. 1265 00:30:36,200 --> 00:30:37,000 WHAT YOU THINK? 1266 00:30:37,000 --> 00:30:39,033 KARLIE REDD, SHE CAN WAIT. 1267 00:30:39,033 --> 00:30:40,833 IT'S NOT YOUR DECISION ON 1268 00:30:40,833 --> 00:30:42,533 WHAT GETS DONE, WHO WORKS 1269 00:30:42,533 --> 00:30:43,400 WITH WHO. 1270 00:30:43,400 --> 00:30:44,700 THAT'S OUR DECISION. 1271 00:30:44,700 --> 00:30:46,200 WE MAKE THE DECISIONS HERE. 1272 00:30:46,200 --> 00:30:47,200 SO WHAT ARE YOU SAYING, 1273 00:30:47,200 --> 00:30:48,200 MANAGER? 1274 00:30:48,200 --> 00:30:49,233 WE'RE NOT TURNING DOWN 1275 00:30:49,233 --> 00:30:50,533 [bleep]. 1276 00:30:50,533 --> 00:30:52,767 KARLIE'S GONNA BE IN THE STUDIO. 1277 00:30:52,767 --> 00:30:53,967 BUSINESS IS BUSINESS, 1278 00:30:53,967 --> 00:30:55,233 BUT IT'S GONNA BE A PROBLEM. 1279 00:30:55,233 --> 00:30:56,333 I'M TELLING YOU THAT RIGHT NOW. 1280 00:30:56,333 --> 00:30:58,200 KARLIE REDD, SHE MAY BE 1281 00:30:58,200 --> 00:31:00,467 A PROBLEM, BUT WE CAN GET SOME 1282 00:31:00,467 --> 00:31:01,933 BIG BUSINESS HANDLED AT 1283 00:31:01,933 --> 00:31:03,067 THE SAME TIME. 1284 00:31:03,067 --> 00:31:03,767 NOW, LET'S FIGURE IT OUT, 1285 00:31:03,767 --> 00:31:04,667 AND YOU GOT THAT. 1286 00:31:04,667 --> 00:31:05,833 WHATEVER YOU SAY. 1287 00:31:05,833 --> 00:31:06,733 PERFECT. 1288 00:31:06,733 --> 00:31:07,633 ALL RIGHT, BOO. 1289 00:31:07,633 --> 00:31:10,400 I'LL SEE YOU LATER. 1290 00:31:10,400 --> 00:31:11,400 [upbeat hip-hop music] 1291 00:31:11,400 --> 00:31:16,400 ♪ 1292 00:31:16,400 --> 00:31:17,067 WHAT'S UP? 1293 00:31:17,067 --> 00:31:18,467 WHAT'S HAPPENING? 1294 00:31:18,467 --> 00:31:19,767 HAVE A SEAT SO WE CAN JUST 1295 00:31:19,767 --> 00:31:21,600 CHOP IT UP FOR A MINUTE. 1296 00:31:21,600 --> 00:31:22,767 THERE, THERE. 1297 00:31:22,767 --> 00:31:23,433 UH. 1298 00:31:23,433 --> 00:31:24,300 THERE YOU GO. 1299 00:31:24,300 --> 00:31:25,633 I KNOW YOU NEED YOUR PILLOWS. 1300 00:31:25,633 --> 00:31:26,300 HOW WAS YOUR DAY? 1301 00:31:26,300 --> 00:31:27,200 IT WAS GOOD. 1302 00:31:27,200 --> 00:31:29,067 IT WAS PRODUCTIVE AND POSITIVE. 1303 00:31:29,067 --> 00:31:30,200 THAT'S GOOD. 1304 00:31:30,200 --> 00:31:31,767 YOU KNOW, STRESSFUL 1305 00:31:31,767 --> 00:31:32,867 ALL IN ONE. 1306 00:31:32,867 --> 00:31:34,200 YOU KNOW, BUT IT'S COOL. 1307 00:31:34,200 --> 00:31:36,467 I'M NOT LIVING NOWHERE NEAR HOW 1308 00:31:36,467 --> 00:31:38,100 I WAS LIVING WHEN I FIRST CAME 1309 00:31:38,100 --> 00:31:40,067 OUT OF 2004. 1310 00:31:40,067 --> 00:31:41,067 YOU KNOW, IN THIS BUSINESS, 1311 00:31:41,067 --> 00:31:43,200 SOMETIME IT'LL LOOK LIKE YOU 1312 00:31:43,200 --> 00:31:45,400 DOING GOOD, BUT YOU REALLY 1313 00:31:45,400 --> 00:31:47,200 AIN'T TOO MUCH DOIN' THEN. 1314 00:31:47,200 --> 00:31:48,467 DO YOU FEEL LIKE YOU ALWAYS 1315 00:31:48,467 --> 00:31:49,733 GOING THROUGH SOMETHING? 1316 00:31:49,733 --> 00:31:50,767 ARE YOU ALWAYS DEPRESSED 1317 00:31:50,767 --> 00:31:51,733 OR DOWN? 1318 00:31:51,733 --> 00:31:53,900 NOT ALL THE TIME. 1319 00:31:53,900 --> 00:31:55,833 I MEAN, BUT IT CATCH UP WITH ME. 1320 00:31:55,833 --> 00:31:58,100 SCRAPPY'S CAREER RIGHT NOW IS 1321 00:31:58,100 --> 00:31:58,933 UP AND DOWN. 1322 00:31:58,933 --> 00:32:01,400 IT'S A REAL STRUGGLE FOR HIM. 1323 00:32:01,400 --> 00:32:02,800 SO THAT TAKES A BIG TOLL ON 1324 00:32:02,800 --> 00:32:03,633 OUR RELATIONSHIP. 1325 00:32:03,633 --> 00:32:05,067 I JUST WANT TO MAKE SURE WE ON 1326 00:32:05,067 --> 00:32:06,567 THE SAME PAGE AS FAR AS MOVING 1327 00:32:06,567 --> 00:32:07,733 FORWARD IN OUR RELATIONSHIP. 1328 00:32:07,733 --> 00:32:09,967 WHAT--WHAT'S THE STEPS WE NEED 1329 00:32:09,967 --> 00:32:11,200 TO TAKE TO MOVE FORWARD? 1330 00:32:11,200 --> 00:32:12,633 I JUST WANT A PEACE OF MIND. 1331 00:32:12,633 --> 00:32:13,333 YOU FEEL ME? 1332 00:32:13,333 --> 00:32:14,200 JUST PEACE OF MIND SO I CAN 1333 00:32:14,200 --> 00:32:15,567 GATHER MY THOUGHTS, MAN. 1334 00:32:15,567 --> 00:32:16,633 THIS INDEPENDENT STUFF IS 1335 00:32:16,633 --> 00:32:17,867 A WHOLE NOTHER GAME, YOU KNOW? 1336 00:32:17,867 --> 00:32:18,867 AND I HAVEN'T BEEN THERE BEFORE, 1337 00:32:18,867 --> 00:32:19,567 BUT... 1338 00:32:19,567 --> 00:32:20,400 SEE, THAT'S WHAT I WAS 1339 00:32:20,400 --> 00:32:21,067 TELLING YOUR MOTHER. 1340 00:32:21,067 --> 00:32:22,100 YOU WEAR YOUR EMOTIONS ON 1341 00:32:22,100 --> 00:32:22,833 YOUR SHOULDER. 1342 00:32:22,833 --> 00:32:24,100 LIKE, WHATEVER YOU'RE DEALING 1343 00:32:24,100 --> 00:32:25,333 WITH OR WHATEVER YOU GOT GOING 1344 00:32:25,333 --> 00:32:28,067 ON, THAT'LL AFFECT YOUR WHOLE 1345 00:32:28,067 --> 00:32:29,200 DAY OR ANY RELATIONSHIP 1346 00:32:29,200 --> 00:32:30,567 WITH ANYBODY. 1347 00:32:30,567 --> 00:32:32,900 AND I NEED YOU TO LEARN HOW TO-- 1348 00:32:32,900 --> 00:32:33,833 YOU KNOW WHAT I'M SAYING-- 1349 00:32:33,833 --> 00:32:34,533 DIFFERENTIATE THAT 1350 00:32:34,533 --> 00:32:35,867 AND SEPARATE IT. 1351 00:32:35,867 --> 00:32:37,067 I JUST LIKE TO BE LEFT ALONE 1352 00:32:37,067 --> 00:32:37,933 WHEN I'M GOING THROUGH STUFF. 1353 00:32:37,933 --> 00:32:38,767 I DON'T LIKE TO--YOU KNOW WHAT 1354 00:32:38,767 --> 00:32:39,500 I'M SAYING? 1355 00:32:39,500 --> 00:32:40,400 ESPECIALLY IF I'M GOING THROUGH 1356 00:32:40,400 --> 00:32:41,633 SOMETHING AND, LIKE, THEN 1357 00:32:41,633 --> 00:32:42,633 I DON'T WANT NOBODY TO TENSE 1358 00:32:42,633 --> 00:32:43,467 AT ME EVEN MORE. 1359 00:32:43,467 --> 00:32:44,667 LIKE, LET IT BE NOTHING BUT 1360 00:32:44,667 --> 00:32:46,067 POSITIVE STUFF COMING. 1361 00:32:46,067 --> 00:32:47,233 ON ONE HAND, THE CAREER 1362 00:32:47,233 --> 00:32:48,900 STRESSING ME OUT; ON THE OTHER 1363 00:32:48,900 --> 00:32:51,633 HAND, BABY MAMA ERICA STRESSING 1364 00:32:51,633 --> 00:32:52,300 ME OUT. 1365 00:32:52,300 --> 00:32:53,400 IT'S JUST KIND OF PUTTING ME IN 1366 00:32:53,400 --> 00:32:54,333 A MIND STATE. 1367 00:32:54,333 --> 00:32:56,067 I JUST WANT TO BE TO MYSELF. 1368 00:32:56,067 --> 00:32:57,933 I GOTTA GET MY OWN SPOT. 1369 00:32:57,933 --> 00:32:59,067 YOU FEEL ME? 1370 00:32:59,067 --> 00:33:00,100 IF I WAS AT MY OWN HOUSE, 1371 00:33:00,100 --> 00:33:00,933 THERE WOULD BE CERTAIN THINGS 1372 00:33:00,933 --> 00:33:01,867 THAT YOU WOULDN'T EXPECT 1373 00:33:01,867 --> 00:33:02,567 FROM ME. 1374 00:33:02,567 --> 00:33:03,600 BUT YOU WOULDN'T EXPECT FOR ME 1375 00:33:03,600 --> 00:33:05,767 TO TELL YOU EVERYWHERE I'M GOING 1376 00:33:05,767 --> 00:33:07,200 OR WHEN I'M GOING OFF ON A WALK 1377 00:33:07,200 --> 00:33:07,967 OUT TO THE STORE OR SOMETHING 1378 00:33:07,967 --> 00:33:08,633 LIKE THAT. 1379 00:33:08,633 --> 00:33:09,367 FIRST OF ALL, LET'S JUST 1380 00:33:09,367 --> 00:33:10,200 CLEAR THIS UP: I DON'T ASK YOU 1381 00:33:10,200 --> 00:33:11,067 EVERYWHERE YOU GO, 'CAUSE I 1382 00:33:11,067 --> 00:33:11,933 DON'T FEEL THE NEED TO ASK YOU 1383 00:33:11,933 --> 00:33:12,900 EVERYWHERE YOU GO. 1384 00:33:12,900 --> 00:33:13,767 SO YOU JUST HAVE AN ATTITUDE, 1385 00:33:13,767 --> 00:33:15,467 YOU KNOW WHAT I'M SAYING? 1386 00:33:15,467 --> 00:33:16,533 AND WHERE DO YOU GET THAT 1387 00:33:16,533 --> 00:33:17,933 I HAVE AN ATTITUDE? 1388 00:33:17,933 --> 00:33:19,467 'CAUSE I KNOW YOU. 1389 00:33:19,467 --> 00:33:21,067 I KNOW THE WAY YOU MOVE. 1390 00:33:21,067 --> 00:33:21,667 [chuckles] 1391 00:33:21,667 --> 00:33:23,800 AND YOU BE MOVING, YOU KNOW, 1392 00:33:23,800 --> 00:33:24,700 OFF-ISH. 1393 00:33:24,700 --> 00:33:25,467 YOU KNOW HOW YOU GET WHEN YOU 1394 00:33:25,467 --> 00:33:26,533 HAVE AN ATTITUDE, YOU GET REAL 1395 00:33:26,533 --> 00:33:27,433 OFF-ISH. 1396 00:33:27,433 --> 00:33:28,500 I'M NOT AGAINST IT. 1397 00:33:28,500 --> 00:33:29,200 I'M FOR IT. 1398 00:33:29,200 --> 00:33:30,233 BUT I JUST WANT TO MAKE SURE 1399 00:33:30,233 --> 00:33:31,867 YOUR INTENTIONS ARE STILL GOOD 1400 00:33:31,867 --> 00:33:33,200 WITH YOU MOVING INTO 1401 00:33:33,200 --> 00:33:34,067 YOUR OWN PLACE AS FAR AS 1402 00:33:34,067 --> 00:33:35,467 OUR RELATIONSHIP. 1403 00:33:35,467 --> 00:33:37,500 ARE YOU STILL WILLING--WANTING 1404 00:33:37,500 --> 00:33:38,200 TO WORK FORWARD? 1405 00:33:38,200 --> 00:33:39,067 IF I DON'T WANT TO WORK 1406 00:33:39,067 --> 00:33:39,967 FORWARD, I WOULD DEFINITELY 1407 00:33:39,967 --> 00:33:40,633 TELL YOU. 1408 00:33:40,633 --> 00:33:42,200 I WOULD DEFINITELY TELL YOU. 1409 00:33:42,200 --> 00:33:43,533 IT MAY SOUND STRANGE, 1410 00:33:43,533 --> 00:33:44,767 BUT SCRAPPY AND I ARE ACTUALLY 1411 00:33:44,767 --> 00:33:46,433 BETTER LIVING APART. 1412 00:33:46,433 --> 00:33:48,633 ALL I WANT IS JUST HONESTY AND 1413 00:33:48,633 --> 00:33:49,833 JUST REALNESS, AND IF I CAN'T 1414 00:33:49,833 --> 00:33:51,200 GET THAT FROM HIM, WE'RE JUST 1415 00:33:51,200 --> 00:33:52,500 GONNA BE FRIENDS. 1416 00:33:52,500 --> 00:33:54,200 THE TRUTH WILL SET YOU FREE. 1417 00:33:54,200 --> 00:33:54,900 YOU FEEL ME? 1418 00:33:54,900 --> 00:33:56,767 I'M READY TO SET MYSELF FREE. 1419 00:33:56,767 --> 00:33:57,967 THEN SET ME FREE TOO. 1420 00:33:57,967 --> 00:33:58,633 I WOULD DEFINITELY 1421 00:33:58,633 --> 00:33:59,433 SET YOU FREE. 1422 00:33:59,433 --> 00:34:01,500 OKAY. 1423 00:34:02,467 --> 00:34:04,467 YOU WILL WORK WITH STEVIE J. 1424 00:34:04,467 --> 00:34:05,633 WHEN YOU GET THE CHANCE TO WORK 1425 00:34:05,633 --> 00:34:06,367 WITH HIM, 1426 00:34:06,367 --> 00:34:07,900 IF I ALLOW HIM TO WORK WITH YOU 1427 00:34:07,900 --> 00:34:09,200 AT THE END OF THE DAY, HONEY. 1428 00:34:09,200 --> 00:34:09,867 DOES IT LOOK LIKE 1429 00:34:09,867 --> 00:34:11,867 I'M WORRIED? 1430 00:34:15,600 --> 00:34:16,600 [driving hip-hop music] 1431 00:34:16,600 --> 00:34:20,767 ♪ 1432 00:34:20,767 --> 00:34:21,467 YOU NEED TO MIND YOUR 1433 00:34:21,467 --> 00:34:23,200 BUSINESS, KARLIE REDD. 1434 00:34:23,200 --> 00:34:24,267 I'M TIRED OF TELLING THE GIRL TO 1435 00:34:24,267 --> 00:34:25,100 MIND HER BUSINESS. 1436 00:34:25,100 --> 00:34:25,967 WHY YOU CAN'T MIND 1437 00:34:25,967 --> 00:34:27,667 YOUR BUSINESS? 1438 00:34:27,667 --> 00:34:28,867 IT'S TIME FOR ME TO GIVE THIS 1439 00:34:28,867 --> 00:34:32,200 BITCH A REALITY CHECK. 1440 00:34:32,200 --> 00:34:34,267 HEY, KARLIE. 1441 00:34:34,267 --> 00:34:38,300 PLEASE STOP GOING BEHIND 1442 00:34:38,300 --> 00:34:40,367 MY BACK TO BE ABLE TO WORK 1443 00:34:40,367 --> 00:34:42,867 WITH STEVIE WITH MIMI, 1444 00:34:42,867 --> 00:34:45,100 BECAUSE SHE HAS NO SAY-SO IN 1445 00:34:45,100 --> 00:34:46,933 WHAT STEVIE AND I GOT GOING ON. 1446 00:34:46,933 --> 00:34:47,800 I DON'T WANT TO HEAR NONE OF 1447 00:34:47,800 --> 00:34:48,867 THAT BULL[bleep] ABOUT YOU AND 1448 00:34:48,867 --> 00:34:49,533 MIMI TALKING. 1449 00:34:49,533 --> 00:34:50,200 I DON'T GIVE A [bleep] 1450 00:34:50,200 --> 00:34:50,867 ABOUT THAT. 1451 00:34:50,867 --> 00:34:52,400 DON'T TALK ABOUT ME WITH MIMI. 1452 00:34:52,400 --> 00:34:53,433 AND THAT'S ALL I GOTTA SAY. 1453 00:34:53,433 --> 00:34:54,167 WE AIN'T GOT TO DO TOO MUCH 1454 00:34:54,167 --> 00:34:55,733 TALKING, 'CAUSE I ONLY CAME OVER 1455 00:34:55,733 --> 00:34:56,767 HERE TO TELL YOU ONE THING AND 1456 00:34:56,767 --> 00:34:57,767 ONE THING ONLY, AND THAT'S WHAT 1457 00:34:57,767 --> 00:34:58,467 I GOT TO TELL YOU. 1458 00:34:58,467 --> 00:34:59,433 I NEVER HAD TO GO THROUGH 1459 00:34:59,433 --> 00:35:00,567 THIS WITH A [bleep] PRODUCER 1460 00:35:00,567 --> 00:35:01,333 BEFORE. 1461 00:35:01,333 --> 00:35:02,533 THIS IS THE [bleep] MUSIC 1462 00:35:02,533 --> 00:35:04,833 INDUSTRY, NOT BABY MAMA AND 1463 00:35:04,833 --> 00:35:06,633 [bleep] GIRLFRIEND DRAMA! 1464 00:35:06,633 --> 00:35:07,467 WHAT THE [bleep]? 1465 00:35:07,467 --> 00:35:10,400 TO ME, YOU AND MIMI ARE A JOKE. 1466 00:35:10,400 --> 00:35:12,233 LIKE, Y'ALL CRACK ME UP, BECAUSE 1467 00:35:12,233 --> 00:35:14,100 ONE MINUTE ONE PERSON IS LIKE, 1468 00:35:14,100 --> 00:35:15,567 "YOU GOT TO THROUGH ME TO WORK 1469 00:35:15,567 --> 00:35:17,067 WITH, YOU KNOW, STEVIE J." 1470 00:35:17,067 --> 00:35:18,067 ANOTHER PERSON IS LIKE, "YOU GOT 1471 00:35:18,067 --> 00:35:19,067 TO GO THROUGH ME TO WORK WITH 1472 00:35:19,067 --> 00:35:19,700 STEVIE J." 1473 00:35:19,700 --> 00:35:20,633 I NEED TO KNOW WHO STEVIE J. 1474 00:35:20,633 --> 00:35:21,700 MANAGER IS, 'CAUSE Y'ALL ARE 1475 00:35:21,700 --> 00:35:22,400 FUNNY. 1476 00:35:22,400 --> 00:35:23,967 YOU ARE A JOKE TO ME. 1477 00:35:23,967 --> 00:35:24,633 [chuckles] 1478 00:35:24,633 --> 00:35:25,533 AND I DON'T APPRECIATE YOU 1479 00:35:25,533 --> 00:35:26,433 GOING BEHIND MY BACK. 1480 00:35:26,433 --> 00:35:27,200 NO, NO, NO, NO. 1481 00:35:27,200 --> 00:35:27,833 TRYING TO-- 1482 00:35:27,833 --> 00:35:28,767 I DIDN'T GO BEHIND YOUR BACK. 1483 00:35:28,767 --> 00:35:29,433 IT DOESN'T MATTER. 1484 00:35:29,433 --> 00:35:30,333 MIMI CAME TO MY HOUSE, OKAY? 1485 00:35:30,333 --> 00:35:31,067 IT DOES NOT MATTER. 1486 00:35:31,067 --> 00:35:32,300 YOU STILL TALKING ABOUT ME. 1487 00:35:32,300 --> 00:35:33,433 NO, MIMI WAS TALKING ABOUT 1488 00:35:33,433 --> 00:35:34,967 YOU. 1489 00:35:34,967 --> 00:35:35,967 BUT YOU WAS TALKING TO HER, 1490 00:35:35,967 --> 00:35:36,667 THOUGH. 1491 00:35:36,667 --> 00:35:38,533 MIMI'S NOT WORRYING ABOUT YOU. 1492 00:35:38,533 --> 00:35:39,833 FROM OUR CONVERSATION... 1493 00:35:39,833 --> 00:35:40,567 I'M TELLING YOU IS THIS: 1494 00:35:40,567 --> 00:35:42,333 YOU WILL WORK WITH STEVIE J. 1495 00:35:42,333 --> 00:35:43,733 WHEN YOU GET THE CHANCE TO WORK 1496 00:35:43,733 --> 00:35:45,567 WITH HIM, IF I ALLOW HIM TO WORK 1497 00:35:45,567 --> 00:35:46,600 WITH YOU AT THE END OF THE DAY, 1498 00:35:46,600 --> 00:35:47,967 HONEY. 1499 00:35:47,967 --> 00:35:49,100 DOES IT LOOK LIKE 1500 00:35:49,100 --> 00:35:49,900 I'M WORRIED? 1501 00:35:49,900 --> 00:35:50,933 [scoffs] 1502 00:35:50,933 --> 00:35:51,900 YOU MIGHT NEED TO BE, 'CAUSE I 1503 00:35:51,900 --> 00:35:52,767 DON'T KNOW WHERE YOUR CAREER IS 1504 00:35:52,767 --> 00:35:53,467 GOING. 1505 00:35:53,467 --> 00:35:54,800 SOMEBODY IS GOING TO [bleep] 1506 00:35:54,800 --> 00:35:56,700 THAT ASS, AND I HOPE IT'S 1507 00:35:56,700 --> 00:35:58,567 SOMEBODY YOUNG AND FAST THAT CAN 1508 00:35:58,567 --> 00:36:00,633 WHUP THAT ASS, 'CAUSE, HONEY, 1509 00:36:00,633 --> 00:36:02,200 YOU DESERVE THAT ASS-WHUPPIN', 1510 00:36:02,200 --> 00:36:03,667 'CAUSE YOU TALK TOO MUCH. 1511 00:36:03,667 --> 00:36:06,200 WHEN STEVIE GOT THE TIME, 1512 00:36:06,200 --> 00:36:07,767 AND IF I ALLOW HIM TO, 1513 00:36:07,767 --> 00:36:08,833 THEN YOU CAN WORK WITH HIM. 1514 00:36:08,833 --> 00:36:10,367 WE ALREADY DISCUSSED THAT. 1515 00:36:10,367 --> 00:36:11,433 YOU AIN'T WORKING WITH HIM. 1516 00:36:11,433 --> 00:36:12,100 YOU JUST HAVE YOU A GREAT 1517 00:36:12,100 --> 00:36:12,767 WORKOUT. 1518 00:36:12,767 --> 00:36:13,433 GOOD-BYE. 1519 00:36:13,433 --> 00:36:14,700 YOU NEED SOMETHING TO SAY! 1520 00:36:14,700 --> 00:36:15,433 IT'S OVER. GOOD-BYE. 1521 00:36:15,433 --> 00:36:16,300 AIN'T NOBODY THINKING ABOUT 1522 00:36:16,300 --> 00:36:16,967 YOU, JOSELINE! 1523 00:36:16,967 --> 00:36:18,100 GOOD-BYE! 1524 00:36:18,100 --> 00:36:19,100 [somber electronic music] 1525 00:36:19,100 --> 00:36:27,133 ♪ 1526 00:37:24,367 --> 00:37:25,500 YOU BROUGHT THIS TO ME? 1527 00:37:25,500 --> 00:37:26,533 WHO ELSE AM I SUPPOSED TO 1528 00:37:26,533 --> 00:37:27,367 TAKE IT TO? 1529 00:37:27,367 --> 00:37:29,067 WE GOT WORK TO DO. 1530 00:37:29,067 --> 00:37:30,400 YOU SUPPOSED TO HANDLE THIS 1531 00:37:30,400 --> 00:37:31,967 OFF THE REP. 1532 00:37:31,967 --> 00:37:34,900 WATCH THE BEST MOMENTS AND 1533 00:37:34,900 --> 00:37:35,900 [aggressive hip-hop music] 1534 00:37:35,900 --> 00:37:41,100 ♪ 1535 00:37:41,100 --> 00:37:43,633 MM, WHAT UP? 1536 00:37:43,633 --> 00:37:46,600 WHAT'S UP WITH YOU? 1537 00:37:46,600 --> 00:37:49,667 WHY ARE Y'ALL QUIET? 1538 00:37:49,667 --> 00:37:53,200 WHAT'S UP? 1539 00:37:53,200 --> 00:37:56,067 YOU LOOK NICE. 1540 00:37:56,067 --> 00:37:58,067 WHERE YOU COMING FROM? 1541 00:38:01,267 --> 00:38:03,267 I JUST TOOK A PREGNANCY TEST. 1542 00:38:11,533 --> 00:38:13,567 PREGNITO. 1543 00:38:16,733 --> 00:38:17,767 HEY, HEY. 1544 00:38:17,767 --> 00:38:18,433 [crying] 1545 00:38:18,433 --> 00:38:20,200 WHAT YOU CRYING FOR? 1546 00:38:20,200 --> 00:38:22,633 HUH? 1547 00:38:22,633 --> 00:38:25,233 WHAT'S WRONG? 1548 00:38:25,233 --> 00:38:25,900 HUH? 1549 00:38:25,900 --> 00:38:26,633 WHAT'S UP? 1550 00:38:26,633 --> 00:38:27,233 TALK TO ME. 1551 00:38:27,233 --> 00:38:28,200 YOU GOT TO SAY SOMETHING. 1552 00:38:28,200 --> 00:38:29,067 DON'T JUST BE QUIET. 1553 00:38:29,067 --> 00:38:29,967 YOU GOT TO SAY--WHAT'S GOING ON 1554 00:38:29,967 --> 00:38:31,167 WITH YOU? 1555 00:38:31,167 --> 00:38:34,300 [sniffling] 1556 00:38:34,300 --> 00:38:34,967 SO WHAT YOU GONNA DO 1557 00:38:34,967 --> 00:38:37,933 ABOUT THIS? 1558 00:38:37,933 --> 00:38:38,633 I DON'T KNOW WHAT 1559 00:38:38,633 --> 00:38:42,100 I'M GONNA DO. 1560 00:38:42,100 --> 00:38:43,100 YOU KNOW YOU GOT THINGS TO 1561 00:38:43,100 --> 00:38:44,267 DO, RIGHT? 1562 00:38:44,267 --> 00:38:45,700 [sighs] 1563 00:38:45,700 --> 00:38:47,600 YOU KNOW THAT, RIGHT? 1564 00:38:47,600 --> 00:38:50,067 [sniffling, sighing] 1565 00:38:50,067 --> 00:38:50,933 YOU ACTING LIKE THIS THE END 1566 00:38:50,933 --> 00:38:51,600 OF THE WORLD. 1567 00:38:51,600 --> 00:38:52,267 STOP CRYING. 1568 00:38:52,267 --> 00:38:53,200 LET'S TALK ABOUT WHAT WE'RE 1569 00:38:53,200 --> 00:38:53,867 GONNA DO. 1570 00:38:53,867 --> 00:38:55,133 LET'S FIND A SOLUTION 1571 00:38:55,133 --> 00:38:56,100 TO WHAT'S UP. 1572 00:38:56,100 --> 00:38:57,100 YOU GOT TO START BEING 1573 00:38:57,100 --> 00:38:57,900 MORE CAREFUL. 1574 00:38:57,900 --> 00:39:01,100 LOOK AT YOU. 1575 00:39:01,100 --> 00:39:02,700 IS THIS WHAT YOU REALLY, REALLY, 1576 00:39:02,700 --> 00:39:06,167 REALLY BROUGHT YOUR MANAGER? 1577 00:39:06,167 --> 00:39:07,233 YOU BROUGHT THIS TO ME? 1578 00:39:07,233 --> 00:39:08,967 WHO ELSE AM I SUPPOSED TO 1579 00:39:08,967 --> 00:39:09,633 TAKE IT TO? 1580 00:39:09,633 --> 00:39:11,267 I'M JUST SAYING, WE GOT WORK 1581 00:39:11,267 --> 00:39:12,067 TO DO. 1582 00:39:12,067 --> 00:39:13,233 AND YOU'RE SUPPOSED TO HANDLE 1583 00:39:13,233 --> 00:39:15,233 THIS OFF THE REP. 1584 00:39:18,767 --> 00:39:19,533 ALL RIGHT? 1585 00:39:19,533 --> 00:39:23,067 WE GOT PHOTO SHOOTS COMING UP. 1586 00:39:23,067 --> 00:39:24,467 YOU IN WITH YOUR CHOREOGRAPHER 1587 00:39:24,467 --> 00:39:25,333 RIGHT NOW. 1588 00:39:25,333 --> 00:39:26,833 NOW YOUR ROUTINE'S JUST GONNA BE 1589 00:39:26,833 --> 00:39:30,100 THROWING UP ALL OVER THE PLACE? 1590 00:39:30,100 --> 00:39:31,800 I CAN'T EVEN BELIEVE STEVIE. 1591 00:39:31,800 --> 00:39:33,067 I JUST TOLD HIM I'M PREGNANT. 1592 00:39:33,067 --> 00:39:34,100 HE'S TALKING ABOUT PHOTO SHOOTS 1593 00:39:34,100 --> 00:39:35,433 THAT'S COMING UP. 1594 00:39:35,433 --> 00:39:36,400 WHAT IS HE TRYING TO PROTECT: 1595 00:39:36,400 --> 00:39:37,967 MY CAREER, OR IS HE TRYING TO 1596 00:39:37,967 --> 00:39:39,700 PROTECT HISSELF? 1597 00:39:39,700 --> 00:39:40,967 WHO BABY IS IT? 1598 00:39:40,967 --> 00:39:42,067 WHO YOU BEEN [bleep] WITH? 1599 00:39:42,067 --> 00:39:43,433 THAT'S NOT IMPORTANT WHO BABY 1600 00:39:43,433 --> 00:39:44,400 IT IS. 1601 00:39:44,400 --> 00:39:45,867 [sniffles] 1602 00:39:45,867 --> 00:39:46,900 HOW IS THAT GONNA HELP 1603 00:39:46,900 --> 00:39:47,833 THE SITUATION? 1604 00:39:47,833 --> 00:39:49,300 I JUST WANT TO KNOW. 1605 00:39:49,300 --> 00:39:50,167 I'M NOT GONNA TELL YOU. 1606 00:39:50,167 --> 00:39:50,867 WHO IS IT? 1607 00:39:50,867 --> 00:39:51,633 WHY IS YOU DRILLING ME 1608 00:39:51,633 --> 00:39:52,233 RIGHT NOW? 1609 00:39:52,233 --> 00:39:52,933 WHY ARE YOU--WHY DO YOU DO 1610 00:39:52,933 --> 00:39:55,067 [bleep] LIKE THAT? 1611 00:39:55,067 --> 00:39:55,867 'CAUSE I CAN. 1612 00:39:55,867 --> 00:39:56,633 NO, YOU CAN'T. 1613 00:39:56,633 --> 00:39:57,233 I CAN. 1614 00:39:57,233 --> 00:39:57,900 YOU CAN'T. 1615 00:39:57,900 --> 00:39:58,633 I CAN. 1616 00:39:58,633 --> 00:39:59,400 WELL, THEN WE DON'T NEED TO 1617 00:39:59,400 --> 00:40:00,300 BE HAVING THIS CONVERSATION-- 1618 00:40:00,300 --> 00:40:01,200 WE'RE GONNA HAVE--LET'S JUST 1619 00:40:01,200 --> 00:40:02,233 HAVE THIS CONVERSATION. 1620 00:40:02,233 --> 00:40:03,067 NO, YOU DON'T NEED TO BE 1621 00:40:03,067 --> 00:40:03,733 DRILLING ME. 1622 00:40:03,733 --> 00:40:04,900 SO YOU GO FROM SENTIMENTAL 1623 00:40:04,900 --> 00:40:06,233 TO STRAIGHT RAW ON ME-- 1624 00:40:06,233 --> 00:40:07,533 BECAUSE YOU PISSING ME OFF. 1625 00:40:07,533 --> 00:40:08,633 YOU KNOW WHAT I'M GOING THROUGH. 1626 00:40:08,633 --> 00:40:09,800 YOU'RE STILL [bleep] ASKING ME 1627 00:40:09,800 --> 00:40:10,833 WHO THE [bleep]--WHO GIVES 1628 00:40:10,833 --> 00:40:11,633 A [bleep]? 1629 00:40:11,633 --> 00:40:13,500 WHOSE BABY IS IT? 1630 00:40:13,500 --> 00:40:15,567 YOU REALLY WANT TO KNOW? 1631 00:40:16,800 --> 00:40:18,033 I HAVEN'T [bleep] NOBODY FOR 1632 00:40:18,033 --> 00:40:20,033 THE LAST SIX MONTHS BUT YOU. 1633 00:40:25,233 --> 00:40:26,200 ON THE NEXT LOVE and HIP-HOP 1634 00:40:26,200 --> 00:40:27,033 ATLANTA... 1635 00:40:27,033 --> 00:40:28,133 YOU AIN'T GONNA HAVE NO MONEY 1636 00:40:28,133 --> 00:40:29,633 LEFT AFTER YOU MESS WITH ME. 1637 00:40:29,633 --> 00:40:30,767 I'M GONNA BRING YOU THE 50% 1638 00:40:30,767 --> 00:40:31,600 PAPERWORK. 1639 00:40:31,600 --> 00:40:33,100 50% OF WHAT? 1640 00:40:33,100 --> 00:40:35,300 OF THIS? 1641 00:40:35,300 --> 00:40:36,200 DON'T DO IT. 1642 00:40:36,200 --> 00:40:37,200 I DON'T EVEN KNOW YOU. 1643 00:40:37,200 --> 00:40:38,900 YOU AIN'T SAYING [bleep]. 1644 00:40:38,900 --> 00:40:40,200 I'M NOT [bleep], BITCH. 1645 00:40:40,200 --> 00:40:40,900 BITCH? 1646 00:40:40,900 --> 00:40:41,800 YES, BITCH! 1647 00:40:41,800 --> 00:40:42,800 THAT'S WHAT HE CALLED ME. 1648 00:40:42,800 --> 00:40:43,700 I WANT TO ROUGH HIM UP, 1649 00:40:43,700 --> 00:40:44,867 THOUGH, YOU FEEL ME? 1650 00:40:44,867 --> 00:40:46,400 I WANT TO PUT THEM PAWS ON HIM. 1651 00:40:46,400 --> 00:40:47,633 HEAR THAT? 1652 00:40:47,633 --> 00:40:49,400 YOU'RE A STRIPPER 1653 00:40:49,400 --> 00:40:50,067 WHO'S TRYING TO-- 1654 00:40:50,067 --> 00:40:50,900 I WAS A STRIPPER, 1655 00:40:50,900 --> 00:40:52,033 AND I'M NOT TRYING TO GET OUT. 1656 00:40:52,033 --> 00:40:53,367 I WAS A STRIPPER. 1657 00:40:53,367 --> 00:40:54,467 YOU [bleep] AROUND. 1658 00:40:54,467 --> 00:40:56,233 AND YOU'VE GOTTEN [bleep] EVERY 1659 00:40:56,233 --> 00:40:57,733 WHICH WAY FROM SUNDAY. 1660 00:40:57,733 --> 00:40:58,767 DO YOU EVEN KNOW WHO YOU 1661 00:40:58,767 --> 00:40:59,433 PREGNANT BY? 1662 00:40:59,433 --> 00:41:00,833 I'M PREGNANT BY YOUR MAN. 1663 00:41:00,833 --> 00:41:01,967 YOU KNOW WHAT SHE TELL ME? 1664 00:41:01,967 --> 00:41:03,533 "I GAVE YOU YOUR LIFE." 1665 00:41:03,533 --> 00:41:04,700 OKAY, IF YOU GAVE ME ME LIFE, 1666 00:41:04,700 --> 00:41:05,767 IF YOU GONNA TAKE IT BACK EVERY 1667 00:41:05,767 --> 00:41:07,167 CHANCE YOU GET, I DON'T NEED YOU 1668 00:41:07,167 --> 00:41:08,433 TO GIVE ME NO [bleep] LIFE. 1669 00:41:08,433 --> 00:41:09,467 WHAT ARE YOU GONNA DO 1670 00:41:09,467 --> 00:41:11,467 ABOUT THE BABY?